Layers of Sanskrit

Devbhasha Samskrutam aka Sanskrit is the original language of this universe. It derives from OM, the seed of this universe we exist in. Rishi Panini ‘saw’ its grammar from Akash and wrote it. Sanskrit is linked to your DNA and is the perfectly arranged language of Light. It cannot be translated as there is nothing you can translate it to. And just because someone has learnt to read/ write it, does not mean that he has understood the texts of Sanatan Dharma or its texts, Sanskrit has layers and layers.

A simple example. There is this very common Sanskrit shlok in the praise of Shri Ganapati,

अगजानन पद्मार्कं गजाननं अहर्निशम् अनेकदंतं भक्तानां एकदन्तं उपास्महे ॥ ॐ

OM Agajanana padmarkam, Gajananam aharnisham, anek dantam bhaktanam, ek dantam upasmahe OM

It is generally translated as ‘Ganapati is the beloved son of Devi Parvati. Her face lights up with love for him and thus that radiance falls on him. Similarly the blessings of Ganapati fall on his many devotees who worship him with devotion.’

The pictures I have put in this post are of the soft-grey colored Shri Dhoomraketu Ganapati. This is his form in the current Kaliyug. He destroys the Ahamkara, self-ego, sense of individual ego and thus grants Moksh.

www.psychologicallyastrology.com

And this shlok also means this,

Om – is the seed of this universe, the pranav-mantra.

Agajaa would mean ‘the child of the mountain’, ie the Kundalini rests on the highest energy point of the Mooladhar chakra which is linked to the Pruthvi tattva. Kundalini or Devi Shakti is also called Parvati, the daughter of the mountain/ Parvat Himalaya.

Anan means face, access, door, entrance and its also indicates non-movement, non-animation etc. The Kundalini at rest is the Agajaa-annan. She rests/ sleeps with her ‘face’ blocking the entrance of the Sushumna. 

Padma as I have mentioned in an earlier post, is the conscious energy of time-space and the rest of the dimensions. It also means lotus, chakras, a serpent, sinous movement, an elephant with its massiveness and can also indicate a complete merging.

Arka is the light of the internal sun of self-awareness experienced at the end of the twelve chakras, at the Dwadashanat. The ‘Light of the Self’.

Gaj-anan is the opening of the Sushumna located at the Mooladhar chakra. I have mentioned somewhere that Gajanan/ Ganapati is the deity whose permission is necessary for gaining access to the Sushumna. (Deity means conscious intelligence, there is no classical ‘god’ in Sanantan Dharma)

Gaja is earth tattva, the foundation from which the Kundalini will make her move. Or also the solidity, steadiness of your spiritual practice.

Aharnisham means continuously, constantly, steadily, day/ night. But it also means the illusion of the individual soul/ Jivatma being separate from the Parabrahma.

Anek-dantam-bhaktanam is ‘a separated point’. The best way I can describe this is something like the school physics experiment of interference of light waves. A single point is viewed as being divided into multiple points. The same point is ‘divided’ into many. How can a point be divided? Ask your physics teacher if he can explain. Or ask a quantum scientist and be amazed when he speaks of Sanatan Dharma.

Ek-danta means one single point or focussed concentration or the Ultimate realisation. Or the original point which is perceived as ‘a separated point’. The non-dual Advaita which is perceived as multiplicity.

Upasmahe is the verb, the past perfect tense of Upasna. This word has several meanings, but the most interesting meaning is to throw off, or to remove firmly. So this will mean the action of removing the illusion of the multiple points from the one single point. It is in the past perfect tense of the verb. So this action has already been completed. A paradox. 

So this simple seeming shlok/ verse has completely different hidden depths. A real genuine Guru would be able to add more meanings and perhaps also grant the experience of this Shloka. See what you make of it?

www.psychologicallyastrology.com

So to address the question that someone asked me.

How genuine are the translated Sanskrit works? The answer is that someone understands something as per his level of understanding. And understanding depends on the level of experience. And experiencing Devbhasha Sanskrutam requires contemplation. You have to do continuous Dhyan over it to experience it. eg When you are doing your Dhyan with the ‘Soham’ mantra you are experiencing, understanding it. More you meditate on Sanskrit more deeply will you experience/understand it. Sanskrit is a palimpsest, layers and layers of meanings. So if you choose to read a translated book, choose after evaluating the translator well. And at least read the original Sanskrit shlokas/text if you can.

Ramal Shastra Tantra is the source of Geomancy and IChing

Once, quite a long time ago, my brother, Samarpit, was insisting that I learn ‘geomancy’. He is really good at reading all sorts of cards, cartomancy, tarot and things. I wasn’t too interested, so he said it is a degraded version of ‘Ramal Vidya’. This caught my attention instantly as Ramal is a Sanskrit word which means ‘telling fortune using dice’ and Vidya is essential knowledge. And already I knew that there is a Ramal Tantra too. Tantra starts where your Pranayam and Yog stop.

(Modern scholars who study the fundamentals of the Sanatan Dharma, try to classify the deities, the shlokas, mantra, yantra etc into Vedic and Tantric. This is an exercise in futility. It is like giving a 1st standard kid the books required for a Ph.D and applauding him when he sorts them into piles by the colors on their front pages. There is nothing called Vedic or Tantric or Yogic or whatever. It is all Sanatan Dharm.)

So I looked up geomancy books available, these were all referring to Arabic and Latin influenced versions of Ramal, didn’t buy them. Also found a 2 day workshop for Rs 12000, where the teacher was going to teach ‘Basics of Ramal’, didn’t buy this either. Finally I found a Sanskrit book Ramal rahasya, the secrets of Ramal and Ramal sara Tantra the Essence of Ramal Tantra.

The ‘author’ of Ramal Jyotish is Bhagwan Shiv Himself. It is a Vidya taught by Him to Devi Parvati and it has an associated Tantra, quite formidable.

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Ramal rahasya starts off with a dialogue between Shiv and his wife Parvati (they are the intelligent conscious Tamogun, its potential and kinetic aspects respectively). He has clearly states several times that this cannot be learnt or perfected without a Guru. Guru means a spiritual Teacher. A Teacher who unveils to you the conscious intelligence operating in this created universe. So Ramal is something quite serious.

Ramal-Shastra is not Arabic, neither is it European nor Chinese. It is from the Sanatan Dharma/ Hinduism, it is a Vidya and a Tantra and it is in Sanskrit. In Jyotish, Ramal is used as a type of Prashna. It is used to find answers of one single question uppermost in your mind. Ramal Shakal/ Roop have been used by Aleister Crowley in his Thoth Tarot deck illustrations. (No wonder my brother had read about it).

  • Modern ‘geomancy’ is nothing but Ramal Shastra albeit in a degraded form. Ramal Shastra travelled from Bharat/ India to Arabia and thence to Europe. It has been distorted from the original Sanskrit eg the names used are in Arabic/ Latin, but the concepts of divination are almost the same.
  • Ramal shastra also travelled to the east and gave birth to the IChing and got converted to its 8 root trigrams. Again the concepts and the names used are almost similar. I have written about IChing in an earlier post, I use it sometimes for quick answers. (Do use IChing especially if you have questions related to business, politics, strategy and manuvering. It gives very useful insights and solutions)

But the thing is IChing or Geomancy, the Arabic/ Latin/ Chinese versions have lost the connection to the Tantra of Ramal. Tantra is knowing how to put the energy to work. These two are now divinatory methods of lowered consciousness. Of the two, IChing is more powerful than ‘Geomancy’, the ‘Tao’ of IChing is a very aware intelligence.

Tantra tells you the problems and fixes the things too. Tantra also leads to Self-realization. Jyotish too is a Vidya, it leads to self-illumination and Ramal Shastra is very much a part of this. Every Yog or Vidya or Shastra has an associated Tantra or it is not of much use. You have the machine/ yantra, the knowledge/ mantra by you need to know the process/ tantra in order to achieve your goal.

But Ramal is Ramal, nothing can compare with this. You can do much much more with the original Ramal Shastra/ Tantra. Just the act of casting the reading sets the solution in motion.

(I wanted to write a book on the original Ramal Shastra and Tantra but my fingers are unable to type it. I have a typing speed of over 60 words/min. But when I think of writing the secrets of Ramal, pran actually stops moving in my fingers. It is not my karma to write this book. So if you read from some english book on ‘geomancy’, do try to channelise the conscious intelligence behind it, so that your readings become more powerful. )

Sasa yog, Saturn in 2020-2025, spiritual aspects

So here is an introduction to the original Ramal. You already know astrology, the basics at least? Ramal then will be very easy for you to learn.

For learning Ramal you will need to know,

  1. The descriptions of the 12 houses of the horoscope. You already know the brief keywords.
  2. The descriptions of the 9 graha of Jyotish, Sun, Moon, Mercury, Venus, Mars, Jupiter, Saturn, Rahu and Ketu. This also is quite easy. You have read about them, you know how they behave. If not, I have written posts on them which you can read. Even if you remember a few keywords to begin with, it is good start. (Use the index page to locate the posts you wish to read)
  3. The detailed descriptions of the 16 images/ Shakal शकल used in Ramal. For this you will have to consult some ‘geomancy’ or modern Ramal book.
    • I use the original Sanskrit names as they have actual meanings. These 16 Shakal, are 16 types of figures drawn with single dot/ Bindu and a single line/ Rekha (In modern geomancy, the line is drawn as 2 dots, thus their tantric power is lost).
    • Shakal शकल is a Sanskrit word which means fragment or bit or small piece. (Sakal सकल is ‘entirety’.) Shakal are also called Roop रूप which means the ‘clue to the form’.

These 16 images, the Shakal शकल , made me want to learn Ramal Shastra. These are the 16 forms of the Moon/ Chandra. Each form of the Moon is called a Chandra-kala, this lasts for one day and this day is called a Tithi. So each Shakal is in fact the conscious intelligence of the Tithi or the Kala. These Kala कला are a part of Shri Vidya, the knowledge of your own internal energy geometry. These 16 images give Ramal its tantric identity. Ramal Shastra is Tantra.

The 7 regular graha-s rule 2 Shakal शकल each and the shadow planets, Rahu and Ketu rule one Shakal each. The names of the Shakal are the names of the planets. The figures you will need to practice a bit so that you can remember them. Don’t stress yourself by trying to by-heart things, as you do your practice readings you will understand them. Keep all your reference books near you. Divination is best when you have your mind relaxed.

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Sixteen, is ‘Shodash’ in Sanskrit. There are several sixteen things in Sanatan Dharm and linked to your energy self. Sixteen is one of the esoteric numbers of the Shri yantra, the geometry of the manifested universe.

There are the sixteen vowels of the Sanskrit varnamala. These are the energies of the Shakti. You already know that the vowels are connected to the Ida nadi or the ‘feminine’ energy or the Moon, ie these 16 vowels are linked to the Devi Prakruti, ie they are the 16 emanations of the Devi Lalita Mahatripursundari.

The Moon/ Chandra has sixteen phases. The no-moon Amavasya, the full-moon Pournima and the fourteen phases as he waxes or wanes, it is a total sixteen. These are the sixteen Chandra kala. Into Shri-vidya again, these 16 Chandra-kala are the Sixteen Matrika Devi-s.

And there is also an entire book in Jyotish called the Chandra-kala Nadi used for predictions. Jyotish is very much a part of Sanatan Dharm, it is a Ved-ang and it is a route for self-realisation.

  • चन्द्र – Chandra is the – moon, golden-reddish-silvery, brilliant, glimmering light, shining, fluid motion, graceful, pleasing, excellence etc.
  • कला – Kala is a – part, sound vibration, elements of the material world, fineness, embryo, skill, division of time, 16, intelligence also ignorance, the sapta-dhatu of the body, etc.

These 16 chandrakala are then the 16 beams of light radiated by MahaShodashi. The word ‘Maha-Shodashi Devi’, in Sanskrit, literally means the great 16 beams of internal light. She is the Prakruti, she is all manifested creation and everything in it.

There is a very powerful Shodashi mantra composed only of 16 beej akshar-s. It is hidden in one of the shlokas of the Devi Atharvasheersham in the Devi Mahatmya. It is obviously available on the internet, but it is dangerous, fast acting and one should not use it without guidance from a realised Guru.

The Vishuddhi chakra, described as a ‘lotus’ is the lower chakra of the Chandra-mandal has 16 ‘petals’. The chakras are called ‘lotus’ and is not just a poetic gesture. Lotus flower is called ‘padma’ in Sanskrit. But ‘padma’ has several other deeper meanings also. ‘Padma’ also means a phase, a step, the dimensions and ultimately means ‘Great-Time’ the Maha-Kaal. So the Vishuddhi chakra can be more correctly understood as a knot in the Brahma-nadi within the Sushumna. This is a place where the brahma-nadi curves and recurves around itself perfectly creating these 16 loops. These loops exist in time, in space and the other dimensions. The space-time curve of science-fiction actually exists inside your own self. Vishuddhi chakra is an important milestone in your spiritual progress. It is only when the kundalini crosses this point that you are called ‘Nara’ नर , otherwise you are still a ‘Pashu’ पशु .

The chandra-mandal is the highest part of the Shri-chakra composed of the Vishuddhi and Ajnya chakras. The human body is a yantra, basically a machine, it is a means to an end but is also a barrier if you do not know how to use it. It is a means  of control and can imply a bondage or a chain too. You have to use the force that this body (all its 5 layers) contains only then can you achieve Moksh, there is no other way. The yantra are put to work by application of the appropriate mantra and how to actually do this is the tantra.

And on an astrological note, I always assert that Venus is the real Moksh-karak, the agent of realization. His other name is षोडशांशु Shodash-anshu, he is a ray, thread, end-point of the 16. Recognise his real nature and follow him back to the Maha-Shodashi Devi and then go inwards into yourself.

ramal dice

So back to the topic, the 16 Shakals of Ramal are linked to all these 16 powerful energies as above. The शकल are raw power in themselves, they are not just figures. If you intend to use Ramal in any way, try to use the correct Sanskrit names of the Shakals. This will add to your divination and you will get precise results. Here is a brief description of the 16 Shakals, their real names in Sanskrit (Devbhasha Samskrutam).

1. vagmi Vagmi वाग्मि – represents Pratipada Tithi, the first day after the no moon or full moon. Its ruler is Jupiter. Vagmi means excellent, philosophical, teacher.

2.  lohitah Lohitah लोहित: – Dwitiya tithi. Ruler Mars. Lohitah means red, copper, metal. 

3.  ushnaguh Ushnaguh उष्णगु: – Trutiya tithi. Ruler Sun. Ushnaguh means the one with very hot rays.

4.  vidhuh Vidhuh विधु: – Chaturthi tithi. Ruler Moon. Vidhuh means solitary or of rhythmic movement

5. patah Patah पात: Panchami tithi. Ruler Rahu. Patah means downfall, illusory appearance, misfortune.

6.  bodhanBodhanah बोधन: Shashti tithi. Ruler Mercury. Bodhanah means instructor, clever, exciting.

7.   ketuh Ketuh केतु: Saptami tithi. Ruler Ketu. Ketuh means a banner, unusual.

8. saurih Saurih सौरि: Ashtami tithi. Ruler Saturn. Saurih means the Son of Sun. Saturn Shani is the son of the Sun Surya

9. mandahMandagah मन्दग: Navami tithi. Ruler Saturn. Mandagah means slow moving.

10. Teekshnanshuh Teekshnanshuh तीक्ष्णांशु: Dashami tithi. Ruler Sun. Teekshnanshuh means sharp fiery rays.

11. daityarchithDaityarchitah दैत्यार्चित: Ekadashi tithi. Ruler Venus. Daityarchitah means the one teacher respected by the sons of Diti.

12. soorihSoorih सूरि: Dvadashi tithi. Ruler Jupiter. Soorih is a learned thinker, scholar.

13. aarahAarah आर: Trayodashi tithi. Ruler Mars. Aarah means iron, several enemies, or a sting.

14.  kavih Kavih कवि: Chaturthi tithi. Ruler Venus. Kavih means enlightened, in-control, a sage.

15.  sheetanshu Sheetanshu शीतांशु: Amavasya tithi. Ruler Moon. Sheetanshu means cold rays.

16.  saumyahSaumyah सौम्य: Pournima tithi. Ruler Mercury. Saumyah means Son of the Moon, likeable, bland. Mercury Budha is the son of Moon Chandra.

Eclipses in the horoscope, birth and transit analysis

Now if you intend to use Ramal as a divinatory tool you will need the typical Ramal dice. I saw some Ramal dice on sale on etsy. But if you don’t want to buy them, you can always use cards. You will need one set of these 16 images above, you can draw them on cards with a marker. Write the Sanskrit names on the cards, so that at least some part of the real power of the Ramal gets channelised into your reading. Try with the cards first, if you get inspired then buy the dice. (The dice are very convenient as with one single roll you get the entire group of mother images 1 to 4.)

So you have your Ramal cards and your question. Now you have to pull out 4 cards from the set and create the Ramal Khet or Shield. The actual Khet has 16 computations like this below. This is a completed khet, your reading. There are 16 positions and each position is occupied by a Shakal. Each position can be interpreted to get insights into your question.

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  • The 4 cards you pull out are the 4 मातृ Matru ‘mother images’. (these are filled in the right side top 1 to 4 slots). Note them as per the sequence you pull them out as you will be using the 1st mother image again to calculate the 16th image.
  • You derive the ‘daughter images’ from the mother images. These daughters are filled in the 5 to 8 slots on the top left of the Khet.
  • Then you calculate the four ‘niece images’ at number 9 to 12 in the second line. These are derived using the images of the daughters.
  • The niece images at 9 and 10 are combined to make the first witness at 13. It is filled in the third row right side.
  • And the nieces at 11 and 12 are combined to make the second witness at 14. This image is at the third row left side.
  • The two witnesses at 13 and 14 are combined to get one Judge image at 15. This is at the lowest row, left side.
  • And the Judge image and the 1st mother image are ‘combined’ to get the 16th image called the Reconciler.

Learning how to compute the Khet using the 4 cards, the ‘mother images’ you draw is very easy, it is given in every geomancy book. But I suggest that you get an app which gives you the computed shield directly. I use ‘Brian’s Geomancy’ app by developer ‘AoA’, it is a free app for iPhone. It computes till the 15th image. So you will need to compute the 16th image manually.

But ‘geomancy’ as it is taught today generally uses 15 images like this below. The 16th figure is not calculated. The Bindu/Dot and Rekha/Line of the original Ramal Shastra have tantric significance and inherent power. In geomancy, these have been changed, Dot is continued as a Dot but the Line has been converted to a Double Dot.

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So this is how you cast your Ramal Khet.

  • Sit in a neat and clean place, face north or east.
  • Deep breathe a few times, relax your mind, focus on your question.
  • Shuffle your Ramal cards and pull out the 1st one. This is the 1st ‘mother image’ so input it in your app.
  • Similarly input the 2nd 3rd and 4th cards ‘mother images’ in the app and touch ‘done’. 
  • The app will compute the complete shield and give you the final figure of the 15 images.
  • This is how you calculate the 16th Shakal, the Reconciler. in the example below, figure one will be the 1st mother image and figure two will be the 15th Judge image. You combine them together using this formula to get the 16th Reconciler image.

Ramal Shastra Tantra is the source of Geomancy and IChing

So if you are learning ‘geomancy’ or ‘ramal’ from any arabic/ english book do remember to cast the 16th Reconciler Image too. This is the gist of the entire reading and offers unique insights into the corrective actions which you will be taking up to address your problem.

And as Ramal Shastra and Tantra is authored by Bhagwan Shiv and the first ‘student’ of this Vidya is Devi Shakti, it would be best to think of them with gratitude before doing the divination. This will make your Geomancy/Ramal or IChing readings more powerful.

Chakra, Graha and the Rashi

(I had got a question on Ramal Jyotish some time ago but was putting off writing this post as I did not know how much I would be allowed by karma to write on this topic. So this post is a bit disjointed.)

Ramayan, Hanuman and Sundarkand

The Ramayan and the Mahabharat are the two Itihas, a narration of historical events coupled with the deepest philosophy.

The Mahabharat also contains the Yogshastra Bhagvat Gita, which is a step by step guideline to what you deeply desire. In the Ramayan there is the Aditya Hrudaya stotra which in my opinion is the highly condensed ‘Gita’ of the Ramayan. If you are on the spiritual path, you must listen/ recite this once in a while.

There was a question on the Sundar kand so writing a detailed post on it.

The original Ramayan written by Rishi Valmiki is in Sanskrit  (Devbhasha Samskrutam) and ends with the coronation of Shri Ram. Ramayan means Ramasya ayanah iti Ramayan. It talks about the travels of Ram. It ends when the Rajya-abhishek of Ram as the King of Ayodhya ie Ram’s travels end with this event. The coronation is on the first day of the new year Chaitra Shukla pratipada. The death of Ravan, the King of Lanka, occurs on the last day of the year on Falgun Amavasya. Ram travels back to Ayodhya immediately after Ravan’s death in the Pushpak viman and is immediately crowned King of Ayodhya. The Ramayan ends here.

There are 6 main sections/ Kaand in the original Ramayan.

  • Bala kand has the part of the birth of the main characters and their childhood is described. (It has some interjected stories which were added later and not connected to the main story.)
  • Ayodhya kand – the princes live in Ayodhya, grow up, get married etc.
  • Aranya kand – the first part of the exile of Ram, Sita and Laxman.
  • Kishkindha Kand – Ram and Laxman interact with the Vanars of the kingdom of Kishkindha
  • Sundar kand – Hanuman realises Himself. This section is exclusively related to the activities of Hanuman.
  • Yuddha kand – describes the war between Sri Ram and Ravan, the King of Lanka. Ravan is killed at the end of the war. This section ends with the coronation of Ram as per Rishi Valmiki’s original text. The Ramayan ends with the coronation of Shri Ram as the King of Ayodhya.

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Now about Hanuman. His other equally popular name is Maruti. Maruti indicates his connection to the breath, wind, storms, war, divinity, movement, power, etc.

Maruti has several other names, Anjaneya, Kapish, Vajradehi, Kalanabha, Chiranjeevi, Manojava, Jitendreya, Vatatmaja, Vanar-yuth-mukhya, Ram-doot, Pavan-putra, etc. And because these are all Sanskrit words, each describes some trait of his. To understand the real meaning of Sanskrit words, you have to add intention and the energy of the Akshar. So Maruti is the son of Anjana, the one who was hit on his chin, the king of everything that moves, his body is tougher than lighting, indestructible, the navel of time, the one who exists forever, he is produced by the Mind/Manas, the one who conquers the organs of sense/action, the one concealed in the pran, the leader of the other-dimensional intelligence, the messenger of the ultimate happiness, etc.

Maruti is a ‘Vanar’, this word does not mean a monkey. In Sanskrit, ‘Markat’ is the animal ‘monkey’. So saying that Hanuman was/ is a ‘monkey’ is extremely offensive and demeaning. Vanar is ‘Vansaya narah iti Vanarah’. The ‘Nar’ who are of the ‘Van’. Nar are a class of beings like the Yaksha, Kinnar, Gandharva etc. ‘Van’ is the forest, distant lands, other dimensions, running water, sun-ray, vehicle, residence, desires, abundance etc. A Vanar can be understood as a being from the other dimensions as the simplest meaning. Our human body is composed of all the 5 panchabhoot, Akash, Vayu, Agni, Aap, Pruthvi. The other dimensional beings have other types of bodies composed of differing proportions of the mahabhoot, eg Yaksha have bodies composed of only Akash, Vayu and Agni.

The Ramayan is also a guidebook to self realization. Ravan the anti-hero is an embodiment of the ego, the tremendous and discordant vibrations created by a sense of personal-ego. (In the Mahabharat this role is fulfilled by Duryodhan, ‘the one who is extremely difficult to defeat’.) If you follow the Ramayan as your guide, you will see your self-ego as Ravan in the very last confrontation when you are finally required to destroy it in the highest stages of Dhyan.

So, in all this, who or what is Hanuman?

He is the embodiment of pran, the vital energy flowing in the energy channels/nadi of your pran-mai-kosh body layer. He is also called the Mukhya Pran devata. The energy of the seed of the vital energy. There are 5 different main types of pran, the panch-pran. Pran, Apan, Vyan, Saman, Udaan. Maruti is the combined conscious intelligence of the Panch-pran. You might have seen some images of Hanuman with 5 terrible faces. Now if you do your Dhyan sincerely there will come a time when you will see these the conscious energies of these 5 main types of pran and yes they are very Ugra, terrible and terrifying. The power of pran blasting in your nadis and in the universe around can indeed be terrifying, so you have to do your spiritual practice to prepare yourself.

The objective of every spiritual aspirant is basically to control the movement of pran consciously. To be able to shut down its movements in the rest of the body and to drive it into the Brahmanadi within the Sushumna. Then to guide it with infinite precision through the chakras till it reaches the top. This movement of pran in the Brahmanadi ‘cleans’ it, makes it through so that when the Kundalini starts moving, it can simply move from the Mooladhar chakra to the central Bindu with the Sahsarar chakra in one smooth sweep. This movement of the Kundalini grants Moksh in one stroke.

So to be able to control the pran, you must absorb the energy of Maruti. He is of supreme importance in spiritual practice. Unless you are able to control the pran/ vital energy flowing in your nadi/ energy channels, you cannot get anywhere.

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Now the question I was asked was on doing a Parayan of the Sundar kand.

The Sundar kand is that part of the Ramayan where Hanuman realises his power. He goes through several experiences and events which makes him aware of his reality. This is the reason why doing a Parayan of this section is very helpful. ‘Parayan’ पारायणं is reciting mantras with intention, absorbing the energies completely. The Ramayan is an esoteric text and each verse/ shlok is a mantra. So if you recite the Sundar kand with the intention that you gain the blessing of Maruti you will get it. You will gain the ability to control the pran, so this parayan will benefit the spiritual aspirant. This will also regulate the movement of the pran and bring it to the best possible levels. So if you are ill, or under mental stress, or suffering from negativity, evil eye energy, nightmares, psychic attacks, impending danger etc, all this will be removed. On the material levels too, power, courage, health, ability to win, destroying enemies, finding what you want, success, emotional stability, strength, peace of mind etc will be granted.

Doing the Sundar kand Parayan.

The original Valmiki Ramayan, the Sundar kand is 68 chapters long and is extremely powerful. Sundar kand parayan is an Anushtan, a powerful practice to use the mantra. Ideally a Brahmin is required as there is a specific way of reciting the shloks. But if you wish to do it on your own, this is the basic minimum you should do. The easiest method is this,

  • You start on any any auspicious day. (post here)
  • Get a small image of the deities or a photo. Set it on a small wooden altar in front of you.
  • You will sit on your Asan facing either the north or east direction. And obviously facing the deities image.
  • Begin with a small puja of Shri Ram and Devi Sita. Then do a puja of Maruti. Here you can offer flowers, saffron, sandal-wood, turmeric, incense, light a lamp, do an arti with camphor etc as per what is available in your house.
  • You can blow the Shankh thrice if you have it. Or sprinkle the Ganga water if you have it. Or at least visualise golden/silver aura around you, feel the kindness of the deities surrounding you in a loving cocoon. Recite ‘Jai Shri Ram’, while you are setting up all this.
  • You have to keep a sweet dish/ Naivedya for the deities. Panchamrut is mixing some milk, curd, honey, sugar (khadi-sakhar) and desi cow ghee. Or keep 5 types of fruits. Or 5 pieces of dry fruits, almonds, cashew, dried grapes, dry coconut, apricots, figs etc with some jaggery/sugar. Keep this Naivedya in a silver or glass bowl. (Never use iron/ steel in any form in your pujas.) 
  • Then speak aloud to the deities and tell them briefly why you are doing this parayan. eg for getting well from an illness, for resolution of disputes, or spiritual growth, or just because you love them. This is the Sankalp, the intention, so take a few drops of water in your right palm and drop it to the ground after you finish speaking.
  • Also request that they help you complete the parayan and protect you while this is going on. This request for protection is necessary. As you progress in your parayan, you will accumulate positive energy, your aura will glow like the Sun. Then the souls/entities roaming around trapped in our dimension will come to you and request you to use this energy to set them free. This can manifest as actual problems eg falling ill, or some unexpected event which makes you break the parayan.
  • There are 68 chapters in the Sundar-kand. Ideally you should read it all in one sitting but this is not possible for regular people. So try to recite 6 chapters daily for 11days and finish the remaining 2 chapters on the 12th day. (I think this is a reasonable time frame in which you can manage)
  • The small puja and sweet dish/ naivedya has to be offered on every day you do your parayan. After you finish for the day, eat the sweet dish as a Prasad or distribute it among your close family members.
  • After you finish on the 12th day, thank the deities for the love they have showered on you. Then do a Dhyan, Soham (Sushumna yog) 108 times, relax your mind and absorb the energy of the Sundar kand parayan into yourself.

This is the simplest way you can do your Sundar kand parayan.

Ramayan, Hanuman and Sundarkand

Now the other part of the question which was asked to me.

The actual Ramayan has been simplified and abbreviated into other languages over these thousands of years. In Uttar Pradesh and Bihar states of India, the commonly used ‘Ramcharitmanas’ is a version in the local dialect called Avadhi. It was written by Tulsidas a few hundred years ago. This version is written in very typical old time language and is a highly abbreviated form of the original Ramayan.

The Sundarkand in the original Valmiki Ramayan is 68 chapters long and in this ‘Ramcharitmanas’ it is a mere 63 verses. In Uttar Pradesh and Bihar, people think that reading these 63 verses in Avadhi is ‘Sundar kand parayan’. It is not. But then faith and intention is important so even if you recite these 63 verses in Avadhi you will get some benefit. But to answer your question, this is not Sundar kand parayan.

The actual Sundar kand parayan is reciting the 68 Chapters of the original Ramayan written by Rishi Valmiki in Sanskrit.

Sanskrit is the Devbhasha Samskrutam, the words cannot be translated and each word is a mantra, the Shabda-Brahma, the divine Intelligence manifested in perfection. You can try doing the parayan yourself in the highly simplified method as per what I have written above, or you can get it done through a proper Brahmin pandit for the maximum auspicious effects and positive results.

Jai Sri Ram ..

 

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Edit : I got a comment that what should someone do if cannot read Sanskrit? So here is a youtube link to the entire 68 sarga of the Sundarkand. Some kind soul has recited it beautifully in Sanskrit. So listen to it and try to follow what is being recited in your book.
Also buy a book with the Sanskrit text of the Sundarkand. Gita press has the Ramayan in Sanskrit with the Hindi translation. The book is priced at very very affordable rates. And now you may have to do fewer sarga per day depending on the recitation time/ sarga. So your parayan might continue for more days. During this Parayan period you should avoid non-veg, alcohol etc and live a satvik life style to derive the max auspicious benefits. (And later give yourself 10mins daily to learn some Sanskrit at least. It is our mother tongue, post here.)

Assurance of Moksh 18-66 Bhagvat Gita Part-1

I got very positive feedback on my previous posts on the Bhagvat Gita shloks. Some of my Dad’s friends told him that I write well, which made him happy. And my husband gave me one of his rare compliments.

So today here is the beautiful 18-66 shlok, possibly the most beautiful shlok of the entire Gita.

  • सर्वधर्मान्परित्यज्य मामेकं शरणं व्रज |
  • अहं त्वां सर्वपापेभ्यो मोक्षयिष्यामि मा शुच: ||
  • Sarva-dharmaan parityajya maam ekam sharanam vraja
  • Aham tvaam sarva-paapebhyo mokṣhayiṣhyaami maa shuchah

Let’s see how basic Sanskrit grammar and meanings work with this verse. These words have deep philosophical meanings. But I will stick to the basic word meanings. I love Devbhasha Samskrutam, so in this post have added some grammar related stuff to bring out its subtlety (If someone gets inspired to learn it, it would be truly wonderful).

  • Sarva – many, entire, various, whole, together, complete, manifold, different, water, all, each, universe, every (Sarvadharmaan is a compound word)
  • Dharmaan – (masculine accusative plural noun) ‘to’ right, devotion, character, law, observance, essence, established, firm, thing, religion, mark, decree, rule, practice, morality, character, foundation etc.
  • Parityajya – (imperative mood, second person singular verb) abandon, omit, give up, renounce, give away, distribute, forsake, disown, disregard, leave behind, get rid of, go beyond, come out of, abandon.
  • Maam – (neuter, accusative singular, noun) ‘to’ ego, individual soul, I,
  • Ekam – (neuter, accusative singular noun) single, one, exclusive, alone, excellent, sincere, truth, chief, unity
  • Sharanam – (neuter, nominative and accusative singular noun) protection, succour, guard, asylum, help, defense, home, water, shelter, refuge, rest or ‘to protect etc’.
  • Vraja – (imperative mood, second person singular verb) If used as a noun, cow-shed, cloud, fold, movement, several, road. But as verb it means ‘to go’
  • Aham – (neuter nominative singular noun) singular, ‘I’
  • Twam – (neuter accusative singular noun) singular ‘you’
  • Sarva – meaning as above. (Sarvapapebhyo is a compound word)
  • Papebhyo – (neuter dative and ablative plural noun) ‘Paap’ means wretched, vicious, evil, villain, crime, ill-luck, vice, inauspicious, low, harm, trouble, guilt, misfortune.
  • Moksha-yishami – This is a very rare form in Sanskrit grammar. The verb is first person, singular, benedictive mood. The verb is a ‘naam-dhatu’, ie a denominative, made by using a noun as a verb. Moksh, a noun, is used as a verb. It is an assurance or a blessing, it literally means ‘I (noun) Moksh (verb)’ something like ‘I dance!’
  • Moksh – freedom, liberation, solution, emancipation, release
  • Ma – negation of the highest order
  • Suchah – (masculine nominative singular noun) pure

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Krishna is the Advaita Nirvishesh Brahma. Maam, Ekam, indicate the non-dual intelligence which cannot be described in the language of the universe. ‘Krishna’ word is often translated as ‘black’, but it really means something which has such attributes which cannot be seen by the senses of this creation but only experienced by the soul.

Interesting fact, when you are in space, you cannot see the Sun or the Stars shining in the sky. The pretty colored images of galaxies and stuff from NASA are rendered using filters. The self-luminous bodies are ‘black’. You can sense the radiation emitted by them, but your eyes cannot see them. We see the self-luminous Suns/Stars from the earth because the all-enveloping atmosphere acts as a filter and gives them that white-gold color. In outer space, the only things visible to the eyes are the planets and the satellites which reflect light from these self-luminous Suns. So if you were in space would you say the Sun is ‘black’ in color?

We believe ‘Krishna’ to be a man driving a chariot or the supreme ‘god’. But that is because of our filters of perceptions surrounding us. If we ever cross this conditioning, this karma bindings, the layers of unintelligence around us, the all-enveloping ignorance, we would experience Krishna as the Nirvishesh Brahma, his true ‘black’ nature. But to come out of those filtering layers we need to generate energy to propel us out. And the only way we can generate the energy is to do our Dhyan, focus on our Dhyan-mantra. Till then, in our ignorance, we will strongly argue that the Sun is gold-white in color and Krishna was either a man or a god!

Arjun is the brilliant streak of lightning, the conscious intelligence of the individual soul. It is the awareness of the mental processes of the spiritual aspirant. The lightening momentarily flashes from the dark skies and is submerged back in the darkness. So does the individual soul flash briefly and is again absorbed in the darkness that is Krishna.

The very last chapter of the Bhagvat Gita is very subtle. Especially the verses from 63 to 72 where Krishna concludes his teaching. These shloks contain the gist of these 18 chapters and must be mediated upon again and again to get their depth.

Advaita 18-66 Bhagvat Gita Part-1

So basically, Krishna speaks to Arjun,

“There are several types of foundations which you use as a support in this universe. So many concepts bind you to this illusion called creation. The entire set of preconceived notions which you follow eg your religious and moral codes. The various practices and ideas that you have bound yourself in. All the things which you think are necessary for yourself. Your thought patterns, emotions, philosophies, ideas, mind-set, everything. The body, the body processes, the mental patterns, the spiritual activities, the things you feel necessary for your body/mind. All the stuff of the material world. The plurality of things. The differences in everything. The various reasons you act and react. All your desires which make up your sense of self. Even the very act of your breathing!” (Sarvadharmaan)

Krishna continues and orders Arjun,

“All this as above is to be discarded. Get rid of the illusion that is ‘duality’. Come out of your idea that you need support to exist. Get rid of all the notions in which you have bound your intelligence in. Remove all pre-conceived notions regarding your own sense of self. Give away completely, the very concept of duality. Let go of all the reasons for your actions, stop creating new karmic bindings. Utterly release all desires linked to this creation. You are not connected in any way to these illusionary things, release them from your consciousness. You are not bound to the illusion called the universe, release this idea of creation. To disregard the differences between the various aspects of creation is the real step to true understanding. Understand that what you really are, does not require any sort of support from the creation.” (Sarvadharmaan parityajya) 

Then Krishna continues,

“There is only Advaita, the non-dual consciousness. The most exclusive, singular, unique, intelligence, not dependant on anything, highest, purest, truth, source etc. There is no polarity, no movement, no change, no duality, no illusions, no difference, no conflict.” (Maam ekam)

Now the Sharanam part can be understood in two ways, it is the nominative as well as the accusative singular noun form.

  • The nominative way. ‘Maam ekam sharanam’ (subject) vraja (verb)
  • Krishna orders Arjun, “The One Singular Protection should be approached by you. You should go to the Singular Intelligence. Seek its experience. Be in its shelter. Understand that the Advaita is the only refuge. You come from the non-dual Intelligence and are absorbed again in it. Realise the Non-Dual. The outward duality of forms is irrelevant as the source of all is the Only Non dual.”
  • The accusative case is this. Maam ekam (subject) vraja (verb) Sharanam (object).
  • Krishna orders Arjun thus, “The One Singular Protection should be approached by you, to shelter in yourself. Realise that the Advaitya is actually inside yourself. After you realise this, you should to hold on to this realization. Rather than going here and there in search of the Advaita, you should know that it is inside you. Recognise that you are not separate from the Eternal. There is no duality in this, you are the Eternal and the Eternal is you. Experience this Unity between you and the Eternal. And remain ever in this realization. The Advaita is your refuge, your home, your real position, and it is right within you.”

My note –

Pari-tyajya is used to make the act of removing or giving away very intense, right from the roots. Some people actually leave the material world, become an ascetic, a Sanyasi. They forsake the foundation of human society, cut off all possibilities of any desire of the material ie take Sanyas and do their further Sadhana in complete singular isolation. They seek the Advaita and this is their driving intention, deepest desire, the only possible desire. This happens only if the horoscope allows it. And for most aspirants who reach this level, there is always some type of an isolation provided even if they live on in the society.

Advaita 18-66 Bhagvat Gita Part-1

The Nirvishesh Brahma, Krishna then continues,

“I will give to you the solution for your misery, ill-luck, inauspiciousness, low energy, etc. As well as liberate you from the wretchedness, trouble, harm etc that you are under. Not knowing oneself is the biggest evil, I will release you from this. You are ignorant of your own reality, I assure you that I will remove this misfortune and ill-luck from you. I will give to you the Realization of Advaita. This is my assurance and my blessing. (Aham tvaam sarvapapebhyo moshayishyami)

As per the grammar used, Krishna addresses Arjun as Shuchah ‘pure one’. The correct way of looking at these words, ‘Maa Shuchah’ would be, “Pure one, No!” Arjun is the bright and pure lightening flash of intellect. The Maa is the negation of Arjun’s behaviour till now ie his obsession with duality and him being unable to realise the overarching Advaita. Maa is also Prakruti which hides Arjun’s true nature. Krishna calls him the ‘Pure one’ and admonishes his past behaviour with the highest negation ‘No!’.

My notes –

I have seen ‘Ma Shuchah’ being translated as ‘do not grieve’. But Shuchah शुच: is a nominative masculine gender word, it means ‘Pure one’ as the subject. The imperative verb form for ‘do not grieve’ would be ‘Ma Shoch/ शोच’.  It cannot be understood as the ‘Grieving one’ either, as the noun which means grief or sorrow is शुचा, it is a feminine noun, its nominative singular would be शुचा shuchaa.

Sanskrit has one specialty, the word sequence in a sentence is not relevant at all. The declination cases of the nouns and the moods of the verbs are important. The intention of the speaker and the context of the situation, the gravity of the words and the ability of the listener to understand gives the meaning relevant to him.

The energy of the word ‘Maa‘ is negation, and it negates our true nature. The simple negation would be just ‘na’. Maa is a particle in grammar so fitting it in the sentence requires a background of philosophy of the Gita. “Maa’ in itself is also a name of the Prakruti. So when Krishna uses Maa here, it is an independent word with a wealth of meaning, something like “No!” more like an admonishment.

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Sanskrit is a very subtle language, that is why I love it so much, layers of meanings. A small example, let’s look at this part again in a different way, Aham tvaam sarva-paapebhyo mokṣhayiṣhyaami. 

  • Why is Aham tvaam used like this? These words seems incongruous in a verse dedicated to Advaita. But see, Aham tvaam, I-you is the basic duality! When I believe I am different from you, does duality start. The root of creation is duality, this ‘I-you’.
  • Aham tvaam is followed by sarva-paapebhyo. ‘I-you’ is the very foundation of duality. And this actually is ‘all of the misfortune’. So here Aham tvaam does not refer to Krishna – Arjun as I – you. The Advaita is referring to the concept of duality embodied by ‘I-you’. This concept is the source of all inauspiciousness. This illusion of separation is the reason we cannot Know our own Reality, an evil thing indeed.
  • It says further, mokṣhayiṣhyaami. This can be understood as ‘I be Moksh’, I act Moksh, I cause Moksh, I regard Moksh, I play the part of Moksh, I make Moksh, I use Moksh, I apply Moksh, I wish Moksh, I desire Moksh, I assure Moksh. I Moksh.
  • The very presence of Advaita in itself is all this assurance.
  • It Itself is Its own blessing to Itself! A mindbender isn’t it?

The Bhagvat Gita is a practical manual Yog-Shastra and a philosophy Tatva-Jnyan designed perfectly to attain the state of the Advaitya. For a spiritual aspirant both practice – Dhyan and philosophy are needed together to bring the Pran and the Mind into control. Doing just one without the other does not work well.

It is only when the conscious-intellect of the individual crosses all concepts linked to the material universe and illusions of its superficial separation from the Eternal, that it really begins to understand itself. It was wallowing in its sense of individuality, its own tiny ego, in its individual soul. The entire purpose of the Bhagvat Gita is to turn the direction of conscious-awareness to the highest possible, the Advaita, the Nirvishesh Brahma. It is involution of the highest degree, a pure flash of the highest intelligence is generated by the spiritual aspirant himself which illuminates his own Reality!

(have continued this in my next post)

 

 

 

Using the Akshar, Mantra and Sanskrit

Sanskrit (Devbhasha Samskrutam) has the following sounds. These are called Akshar, which means that they are fixed, unchangeable, cannot be ‘interpreted’, their meanings and powers are perfectly fixed. This is the list of the 54 sounds. (I don’t know how to write them with the diacritical marks).

  • 14 vowels – a, aa, e, ee, u, uu, rhu, rhuu, lhru, lhruu, ae, ai, o, au
  • 2 support vowels – am, aha
    • अं अः
  • Gutturals – ka, kha, ga, gha, nga
    • क ख ग घ ङ
  • Palatals – cha, chha, ja, jha, nja
    • च छ ज झ ञ
  • Cerebrals – ta, tha, da, dha, na
    • ट ठ ड ढ ण
  • Dentals – ta, tha, da, dha, na
    • त थ द ध न
  • Labials – pa, pha, ba, bha, ma
    • प फ ब भ म
  • Semi-vowels – ya, ra, la, va,
    • य र ल व
  • Sibilants – Sha, Ssha, sa
    • श ष स
  • Consonants – Ha, LLa, Ksha
    •   ळ क्ष
  • Conjunct Consonants – Tra, Jnya
    • त्र ज्ञ
  • The sound of the Bindu or dot. (it is somewhat like ‘ang’, very very nasal)

The energy beauty of sounds

There was a question on what these sounds mean on the spiritual or energy front. You should read the Akshamala upanishad (its text is available on sanskritdocuments.org Or you can also refer to the Sharada Tilak for more information). Each sound /Akshar has a meaning and this small but important Akshamala Upanishad gives the meanings. Every Sanskrit Akshar links with your chakras and you will eventually experience their true power in your spiritual progress. When we speak, we cannot utter the consonants on their own. They have to be linked with a vowel to be uttered out loud. When you utter these sounds, Akshar, you are manipulating your body and mind energies using their targeted energies. If you consciously do this you can bless, curse or progress faster spiritually.

These Akshar are in Devbhasha Samskrutam, the perfectly arranged definition of illumination. Only Sanskrit Mantras are the effective, these have been ‘seen’ by Rishi/Seers and every mantra has the name of the Rishi who first saw it. There are some ‘modern gurus’ who propagate some ‘modern mantras’ of their own devising. Do not use these as you might hurt yourself on the energy levels.

Mantras work on several levels. When you utter them you are manipulating your physical body, it is a vocal exercise first. The mouth and the vocal apparatus directly affects your own ajnya chakra so first of all your own the Ida, Pingala and Sushumna are subtly affected. The vibrations move upwards through your nasal apparatus and are almost fully absorbed your your third eye, thus your entire body. Try this with the sound of ‘Ang’. Close your eyes, wear a eye-mask, and recite just ‘ang’ aloud, very nasal sound, drag the ‘nnnggg’, your lips remain open, and tongue presses against the palate. See the colors and patterns which you will see at your third eye. This ‘ang’ is used as the ending sound of every beej mantra, so that the energy of this seed sound is directly linked into your Ajnya chakra.

Then you are also fixing your mind on the meanings of the Mantras, so it a mental exercise. This lets your mind be absorbed in the beauty of the experience. This is the basis of “Laya yog’. When you hear the sound or rather experience its vibrations, it affects your internal energy structure. Words have inherent beauty, wonder if you have noticed? All this happens to you first, then to the listener. Our parents taught us to speak only auspicious things, speak the truth etc from our childhood onwards just for this reason. We modify our own energies by the simple act of speaking. Try this, choose one mantra, eg the Gayatri mantra or Soham, and whenever you are mentally or physically uncomfortable, just recite this mantra a few times in your mind, try to focus on your third eye as you do so. In less than a minute you will feel differently on both the mental and physical levels.

Mantras make things move, they are fire, embodiment of the Raja Gun, of Devi Sarasvati. She is depicted as playing the Veena, a musical instrument, this is nothing but the Sushumna. The Sushumna with all its chakras and its powers! Devi Sarasvati plays the Sushumna as one would play a musical instrument.

kalam-playing-veena.jpg
Dr A.P.J.Abdul Kalam, the highly respected Ex-President of India playing a Veena

First all the vowels, as per the effects they create, are considered to be basically linked to the Ida. However they are also connected to the Pingala and Sushumna as follows.

  • All the short vowels ऋ ऌ are also linked to the Pingala. These are considered to be masculine, of potential energy and steady. When we utter a short vowel it gets linked to the Pingala. All consonants when linked to a short vowel are link more strongly to the Pingala.
  • The long vowels link only to Ida. These are considered feminine or active or varying in nature. And when we utter a consonant with a long vowel it gets linked to the Ida.
  • The vowels are also linked to the Sushumna. These are considered to be genderless, they can neither be considered to be active nor inactive. A consonant with the vowels gets linked to the sushumna.
  • There are the two support vowels.
    • Am अं is linked to the Purush, the constant unchanging masculine witness. A consonant uttered with the ‘am’ or ‘ang’ ending gets linked to Purush. ‘ang’ makes it very intense.
    • Aha अः also called the ‘Visarga’ is linked to Prakruti or the feminine active principle of creation. A consonant uttered with the ‘aha’ vowel ending is linked to Prakruti.

All the consonants are basically linked more to the Pingala.

  • All the 25, gutturals, palatals, cerebrals, dentals and labials are considered to link to the Pingala.
  • However the semi-vowels – ya, ra, la, va, the sibilants – श ष स and the last three consonants –   क्ष  are linked to the Sushumna. and क्ष are very important Akshar are they are linked to the two petals of the Ajnya chakra lotus. And the is linked in the Sahasrar.

Even if you recite this Askarmalika ie the sounds of the Sanskrit alphabet once a day they are the easiest mantra possible!

In fact during the Yadnopavit, it is the Sanskar, the energy ritual where boys are taught the Gayatri mantra, they are first taught the Shiv sutrani, these are simply the Akshar in a very specific sequence,

  • अ इ उ ण्
  • ऋ ऌ क्
  • ए ओ ङ्
  • ऐ औ च्
  • ह य व र ट्
  • ल ण्
  • ञ म ङ ण न म्
  • झ भ ञ्
  • घ ढ ध ष्
  • ज ब ग ड द श्
  • ख फ छ ठ थ च ट त व्
  • क प य्
  • श ष स र्
  • ह ल्

This sequence is highly mathematical stuff, if you search there are numerous research papers on the beauty of this maths. This is the basis of the grammar of Sanskrit. Reciting this sequence generates very beautiful energies. Say them aloud and see for yourself.

Now a spiritual aspirant is interested in those sounds, Akshar which are connected to the Sushumna, so we have our list, the vowels औ अं अः and the consonants य र ल व श ष स ह. If you observe our Mantras they are more composed of these Akshar. These mantras drive the energy directly into the Sushumna.

Today is Diwali, the festival of Light. This is the Amavasya, the no-moon night of the Ashwin month. The Ashwin month is bursting with the energies of illumination, ie the energy of the Devi are extraordinary throughout this month. It starts with the bright fortnight, with the Navratri. Continues with the most intense full-moon, Kojagiri Purnima, the Moon is closest to the earth during this full-moon. Then the power again starts building  from the 11th day of the dark fortnight till the Amavasya, today. On this night, twilight onwards, pujas for the Devi in her Satvic –  Laxmi, Rajasic – Sarasvati and Tamasic – Shakti forms will give immense benefits. So do not waste this night, use its energies for Devi pujas. Practice and experience for yourself. The really serious practitioners will have prepared in advance for this night, there is so much you can do tonight if you know how.

Wishing everyone a very happy, prosperous and auspicious Diwali.

May the Devi bless every one of us!

 

Siddhakunjika Mantra

 

Maa and Sanskrit

I am from coastal India, used to live right next to the sea but now I live in the Himalaya, I look outside the window now and I see oak forests. Here people speak Hindi and the word that they use for their mother is ‘maa’. Having learnt Sanskrit since I was a child, ‘maa’ for me is negation, ‘no’. ‘Maa kuru’ is ‘do not do it’. ‘Maa gaccha’ is ‘do not go’. It sounds very strange to hear children addressing their mothers ‘maa’. Why would an entire population call their mothers ‘No’? I asked a local pandit and he said ‘we call the Devi maa so the mother is maa’ or something quite confusing, he was not sure himself.

All languages are derived from Sanskrit. Devbhasha Sanskritam is in-built, its sounds and the way its letters are written are created by the perfect movement of pran/vital energy/kundalini along the Brahamnadi around the energy vertices/Chakra of your body. To those who can see, it is so visible, for those who cannot see it yet, best try to see your aura as the beginning step.

In Sanskrit, the mother is called Mata.

  • ‘Ma’ sound means the act of Creation, creating Illusions, hiding something and also the knowledge related to the Hidden.
  • ‘Aa’ means the one who directs, heals, removes sorrow etc linked to Ma.
  • ‘Ta’ means the depths of hidden darkness, that which is not illuminated as yet and the strength and power of flowing energy.
  • ‘Aa’ is again the one who directs, heals, removes sorrow etc now linked to Ta.

So a mother/mata in Sanskrit means so much more, which cannot be fully described. But the terrible intensity of Maa is tempered by the Taa sound. The intensity of ‘maa’ is in fact kept hidden by the ‘taa’ sound. Thus for the human mother, Mata is better.

Now ‘Maa’ is actually a name for the Devi. She hides, creates illusions and later grants its knowledge too. It is mentioned in the Shri Sukta, shlok/verse 3, one of the attributes of Devi is ‘Maa’. (Laxmi tantra has a very extensive chapter on Shri Sukta.) Devi is the energy of the Ultimate Consciousness/Parabrahma which is used to create the Universes. We all are the Ultimate ourselves, temporarily here to enjoy the fun-fair of Creation. This Devi/Illumination, energy is considered feminine as it creates, the cosmic mother. She has used the Maa attribute of Herself to conceal the true nature of every soul/Jivatma here. The energy of Maa is negation, and it negates our true nature, temporarily. She is Maa in all possible ways,

  • मिमी – The action of formation or creation using precise measures.
  • मीया – The act where Creation is fixed
  • मिति – The one who pervades everything. Everything that we see is produced from Her, the creative power of the Ultimate.

Now when you are done playing and want to remember your reality, re-experience yourself, what happens? The power of Creation, Devi, uses her attribute of negation, ‘Maa’, now to negate the bindings of karma and her own initial binding of Kundalini to release the Jivatma. Thus you realise your true self. Here is two negations making a positive.

The energy of the sound Maa is so vast and indescribable, it was used to make you forget your true nature. Now when you start your spiritual practice and want to realise yourself again, Maa then negates your human existence, it disconnects you from the manifested. (Addressing the human mother as ‘maa’, though very prevalent in North India, is not a good idea from the energy of the sound/intention point of view.)

‘Om Maayai namah’ is a mantra from the Shri sukta which grants all that you desire.

Maa is Devi, magnificent in Her power of Negation.

Maa and Sanskrit

 

Beej mantras

It is possible that this post gets too technical, but this was the best I could do to simplify the concept! (The website http://spokensanskrit.org is quite good for basic translations of Sanskrit words.)

Sanskrit is the Devbhasha देवभाषा, it भाषा means ‘to define’ and देव means ‘light’ or ‘divinity’. Thus Sanskrit language defines Illumination. Humans did not discover this language, its origin is from the cosmic sound of Om. (There are scientific papers on the perfect mathematics of the 14 Maheshwar Sutras). Sanskrit is highly mathematical and precise. Each word has layers of meanings and can express concepts both from the physical as well as the spiritual world with equal ease. There are several scientific papers on the mathematical and linguistic perfection of Sanskrit and experiments are being conducted to record the effect of Sanskrit words, on the DNA, in medicine etc, the visible energies of these words are being mapped with cymatics etc. We are re-discovering the importance of Sanskrit again.

Beej mantras

Sanskrit has 54 Akshar/अक्षर. Akshar are indestructible, inalterable, immutable, fixed sounds. All these Akshar are sourced from Om, they are different aspects of Om. Om is the original sound of creation. The entire Universe resonates to the vibrational frequency of Om (lots scientific papers on this too). Thus the Akshar define existence and evolution both, and have the power to change these states. Each Akshar is considered to be Divine in its own way. Stringing them in defined ways gives the words of Sanskrit. These words are speech, the Mantra.

You can change your existence and the direction/speed of your progress/evolution using these mantra. Mantra words have tremendous power as they harness the energy of sound/vibrations itself, (Nada/नाद Brahma or Shabda/शब्द Brahma). We revere sound/vibrations/rhythm as Divine, and call this divinity Matrika/मात्रिका. Vibrations are Time itself and have the capacity to alter Time. Sanskrit speech /mantra /मन्त्र are not just words. They are the the perfect expression/description of an idea. If you know the perfect word for an idea you can use this expression to manifest your idea. Thus Sanskrit Mantra have the power to manifest and create.

To re-cap, Devbhasha Samskritam/देवभाषा संस्कृतम is the first and original language of this Universe.  It is absolutely perfect by its own creation. Its origins are from the Pranav Mantra Om, and the seer Rishi Panini wrote its grammar as he saw it from the Akash. It has remained unchanged since it was first expressed by the Universe. Sanskrit words are found in all the languages of the world and it is the original mother-tongue of mankind.

So let’s list out the 54 sounds. (I don’t know how to write them with the diacritical marks).

  1. 14 vowels – a, aa, e, ee, u, uu, rhu, rhuu, lhru, lhruu, ae, ai, o, au
  2. 2 support vowels – am, aha
  3. Gutturals – ka, kha, ga, gha, nga
  4. Palatals – cha, chha, ja, jha, nja
  5. Cerebrals – ta, tha, da, dha, na
  6. Dentals – ta, tha, da, dha, na
  7. Labials – pa, pha, ba, bha, ma
  8. Semi-vowels – ya, ra, la, va,
  9. Sibilants – Sha, Ssha, sa
  10. Consonants – Ha, LLa, Ksha
  11. Conjunct Consonants – Tra, Jnya
  12. The sound of the Bindu or dot. (it is somewhat like ‘ang’, very very nasal)

Now with this brief introduction to Sanskrit and the sounds, on to beej mantras. The sound which is the ‘seed’, the primary cause, the source, the truth is the ‘beej’.

Every sound/Akshar has its own power, linking 2 or several can create a blend of their powers. These Akshar are the root sounds and are the purest expression of their energies.

Example, Ga (ग) – is ruled by the specific Devi Gayatri who personifies the light of pure wisdom and clarity. Thus the beej mantra derived from this गं (‘gung’ with the nasal sound of the Bindu/dot) has the capacity to grant wisdom. Mantras are power, to utilize this power you will need your Intention and your personal Will. This गं beej mantra will do whatever action is required to confer wisdom. This is the reason why using beej mantras randomly is considered dangerous by normal people. When you use this गं beej mantra you are sending out your intention (powered by your will and the mantra) to the Universe that you desire the purest expression of wisdom, and the Universe will respond in all ways possible. Extreme example is, if for receiving this wisdom you are required to leave your householder’s life and take sanyas, you will be made to do so, if not in this life, then in whichever life this intention will fructify. So beej mantras should be used with due respect.

Now the mantra of the Devi Mahatmya/Durga Saptashati. ‘Om Aing Hreeng Kleeng Chamudayai vicche’. This is what the beej mantras briefly mean,

Om = the pranav mantra, origin of the Universe, your real name, the Paramtattva

aing = ai + ang = Abundance/richness + Bindu

hreeng = ha + ra + ee + ang = Eternity/Endless/One + Removal/Dissolution + Balance/Perfection + Bindu

kling = ka + la + ee + ang = Control/Coordination + Beauty/Enchanting/Captivating + Balance/Perfection + Bindu

 

Now each of these beej mantras end with the nasal ‘ang’ sound. This is different from the ‘am’ sound. This sound is the reason why mantras are not so effective anymore. If you observe your priest doing a puja for you, he will use the sound ‘am’, as it should be. He is doing this puja for you, this beej mantra is not being recited for his own self, he is saying it for you, so he pronounces it as ‘am’ sound made by closing the lips.

Now the Bindu ‘ang’ sound. This is transcendental. It is the sound of the 16th kala/aspect of the Moon (internal Illumination) ruled by Mahatripurasundari, the highest Paradevi, Mahamaya Herself  who is represented by the central Bindu of the Shriyantra/Meru geometry. You are accessing the creative aspect of the Parabrahma itself when you use this Akshar. When you make this sound the lips remain open, the tongue presses at the back of the palate (is significant) and the energy of the sound is directed upwards through the nostrils into your third eye. You are powering the mantra to high energy levels, you are manifesting your intention, you are being the Creator Himself.

So always pronounce the beej mantra as ‘Om aing hreeng kleeng Chamundayai vicche’ and not as “Om aim hrim kleem Chamundayai vicche”. And treat the mantra with due respect, you are putting the energies of the Universe into motion with the mantra.

Edit

I got several confused questions on the ‘nasal anngg sound’ so here is a audio of the Ganapati mantra, ‘Om Gan Ganapataye namah’ it has been recited perfectly.

 

Beej mantras

(Thank you to the kind soul who wanted to know more about the beej mantra, I hope reading it triggers something good for you!)