Vigraha Moorti and idols

In these ‘modern times’ we have forgotten what a vigraha/ moorti means or what a real temple/ Dev-alaya feels like. There are very few left, most of us haven’t seen even one of these real moorti-s/ vigraha-s in our entire life and neither been to a real Dev-alaya.

We Indians are known for creating massive temples and moorti-s of our deities. The invaders, both Muslims and Christians, destroyed our temples and the moorti-s. In these past 1000s years we have lost a lot, but we still have several functional temples and the ruins of the others are a silent testimony to their grandness. The ancient Indian temples are made of black stone. We do not know how old our temples really are. There are estimates of course, but these are more on the lines of educated guesses for the simple reason that stone cannot be dated.

Our temples have the main deity as a Moorti /Vigraha. It is not an idol, an idol does not have any consciousness, it is ’empty’. The Moorti/ Vigraha is a conscious entity, it is aware, with intelligence. If you know how, you can request it to power your intentions, which it will.

Vigraha Moorti and idols

Modern Hindus feel it is a fashion statement to gift idols of deities. These generally are made of plastic and are to be apparently kept as ‘show-pieces’! Modern ‘interpretations’ of the images of deities. These are also idols, ‘empty’. In modern Indian temples, especially in North India and abroad, there is a new trend of fashioning the idols of the deities using white marble stone. The temple too is made of white marble stone. This idol is expertly carved and dressed up beautifully, quite attractive to the eye but ‘empty’. The temple also feels ’empty’ to me. White marble has no energy-value, it is incapable of absorbing the energy and neither can it radiate it back to the worshipper. This idol is made-up to look outwardly like the shape of the deity but it lacks the power of the deity. A idol made of white marble in a temple of white marble is not conscious, and of no use for the genuine aspirant. It is not a vigraha.

But there are still a few temples where the vigraha are aware and conscious. If you are lucky enough to ever visit them and experience it for yourself, you will know what I mean.

A Vigraha cannot be made just like that. How to make it, where to make it, when to start and finish, what material, which mantras to use, what tools and who should make it etc is a secret science. The Vigraha can be made in the shape of the deity with a human face, hands etc or it can also be a yantra. The vigraha-s will be made of black stone, metal or wood or anything else. This material and the entire process will be decided by a Guru. All this depends on the intended use of this vigraha. The carved image is then made conscious, ‘pran-prathishtha’ is performed. The Guru uses his own energy, amplified by the mantras to ignite consciousness in this specifically made shape, which then becomes a vigraha. This vigraha is now freed from the limits of its outward shape, it expands, becomes aware and it becomes a true reflection of the deity it represents. The part is also the whole, thus this shape created becomes a Vigraha/ Moorti. This process is most powerful when performed by a Guru. So the few temples in India where the Vigraha-s have been set up by genuine Guru-s are very important.

One exception is the real Shiv-lingam temples. The real Shiv-lingam stones are actually meteorites which are found on the earth. They are not shaped by human hands. A Guru identifies these stones and the temple is built over it. A real Shiv-lingam is never installed in a temple, the temple is built over it! I have visited the Kailas temple in Ellora, Maharashtra a few times, every time it takes my breath away. The Shiv-lingam is huge, I think it is 6 feet tall, and the energy is massive! This temple is exceptional as it was sort of ‘laser-printed’, from the top to the bottom. I really wonder at the Guru who identified this Shiv-lingam located metres deep inside the hard basaltic rock and the technology used to ‘laser-print’ the temple in this rock. This temple cannot be dated as it is completely of stone. If you live in India, or ever visit here, do go to see this temple and the Shiv-lingam for yourself.

Moorti-s in our ancient temples were for all aspirants of both paths, ie the Yog and the Tantra. Especially if the temple and the vigraha is of black stone and it is over 1000yrs old, it is an extraordinary thing. If you ever visit such a temple know that the deity is aware and conscious. We go to temples, do namaskar, offer sweets flowers and pray. The pujari/ priest gives us some sweets and flowers as the prasadam, we take it and come home. But if you are a spiritual aspirant, this is not making full use of the temple and its vigraha’s energy. If you do visit an active temple try to do the following,

  • Recite any mantra 108 times, depending on your choice and the type of deity. Eg Gayatri mantra or Soham– Dhyan are suitable for every deity. Shri sukta for all Devi temples. If you are worshipping Devi in her high energy form then Navavarna mantra, ‘Om aing hreeng kleeng Chamundayai vicche’, 108 times is the option. Mahamrytyunjai mantra ‘Om tryambakam yajamahe sugandhiṃ pushṭi-vardhanam, urvarukamiva bandhanat mrutyor mukshiya mam amrutat’, for Shiv temples. ‘Om namo bhagwate vasudevaya’ for all Vishnu and his avtar temples. For this take a small asan with you (a 1mX1m piece of silk is best), sit anywhere around the temple and recite your mantra, absorb the energies.
  • Second option, if you have money and the temple sincerely offers this facility. Request a small puja to be done in your name, pay the amount and do the ‘sankalp’. The temple will perform the mantra puja for you and send the prasadam etc by post.
  • And the third option, this only if you have sufficient resources and time. Do your own puja. Most temples which are specifically made for doing such high-voltage pujas will have rooms or ashrams around them. If you can book the rooms. Now engage 8 brahmins from a reputed school, eg Hardwar, Kashi etc. These brahmins should be knowledgeable and personally skilled and living a strict life as prescribed for them. Genuine Brahmins are very very rare in this period, you need to find 8 of this type. Take them with you to the temple, they will perform the puja for you. This sort of puja can take upto 5-10 days. This is the most complete use of the moorti’s energies.

Vigraha Moorti and idols

The moorti-s for dedicated tantric practices are again very different. They are often not placed in the main temple sanctum. Common householder people do not have the ability to see such moorti-s with their eyes, they might go insane. So such vigraha are either placed in a secret sanctum if they are very highly powerful. Or they are hidden, under masks made of gold or silver. Or decorated so heavily with flowers or sandal-wood paste, silk, etc that the actual moorti is not visible at all!

Here are some examples from some temples I have been to recently. In one temple, the moorti of Devi Kali was very beautiful and powerful, but there was something even more terrible in that sanctum sanctorum. A Shri yantra carved in stone by Adi Shankaracharya himself! Everyone was looking at the Devi’s vigraha and praying but the Shri Yantra on the ground before her hidden by flowers was the source of infinite power! There is a town called ‘Shri-nagar’ in Uttarakhand. It is called so because there is a Shri-yantra installed within the river bed here. Those aspirants who know how, will go to the river and do their practice near the water to channelise the power of the Yantra.

Another very famous temple known for a very terrible Devi from the Dasha Mahavidya-s. The Devi moorti on display is beautiful but it is not the real one made by the Guru. The real moorti of this Devi is in some inner room, not visible to anyone. But to those who desire to see her, she is quite visible in all her terrible intensity, if you close your eyes and request, you will see her in a very different way in your third eye. In one temple dedicated to Devi Dhoomavati of the Dasha Mahavidya-s, married women do not visit her as she will give them instant misfortune, extremely fierce and Ugra. All aspects of the Devi are not benevolent, some are terrifying for other types of purposes. The moorti was made by a Guru, so is bursting with energy. Even the moorti of Ayyappa at Sabrimala, where women in the fertile age group should not visit, is a tantric vigraha and will grant misfortune to such women who do. Similarly for the Shani vigraha at Shingnapur, it is the same thing. These are not idols, they are conscious Vigraha!

So the next time you go to a temple with a Moorti, do know that it is not an idol you are seeing, it is aware focussed consciousness. Looking back at you very intensely, so ask what you desire the most, you might just get it. The more powerful Moorti-s are very intense. Standing before them, or even in or outside such temples is a typical experience. It feels like someone has poured ice cold but refreshing water on you, the pran is intense, from the top of your head till your toes it enters every naadi, every hair stands on end. When you close your eyes and do your mantra jaap, you see things at your third eye, you don’t feel like opening your eyes, they feel heavy. You energise yourself at such places from the inside out. The Vigraha Moorti is a reflection of the Ultimate reality.

 

Vigraha Moorti and idols

 

 

To observe Oneself is Moksh

  • Sankhya tells us that the Prakruti is the manifested creation which is put in motion by the presence of the Purush. Purush is the Aware catalyst. Prakruti is the inert matter.
  • Advaita further tells us that the Purush-Prakruti is the fundamental duality which is Created from the Nirvishesh Brahma or Parabrahma, the Ultimate Reality.

Now onwards,

My Guru would also tell us to ‘observe the Self’. This is a fundamental concept of Sanatan Dharm. But what does ‘observing oneself’ really mean? Let’s use the Sankhya and further the Advaita to understand.

The Purush and Prakruti though outwardly differentiated are fundamentally the same. They both are created from the Para-Brahma, they both are its part. And the part is also the whole. Creation or the later manifestation process is more easily understood as a fractal geometry, it is not a linear progression.

Purush is aware but still. Prakruti is unaware but in motion. The Prakruti moves around the still, conscious pivot of the Purush. So when you as the Purush, observe you as the Prakruti, you observe yourself. This is the point where the illusion of duality finally breaks down. This is the stage of complete self-realization, the goal. Attainment of Nirvishesh Brahma, Sadyo Mukti.

But its a long road back so we have all this spiritual practice and stuff. All this practice so that you change your position, you change your reference point. You change your perception.

Saturn, the wrecking ball

A very simplistic example again. There is a sweet dish on the table. I see it and my son from the other room smells it. For each one of us, this sweet is a different ‘matter’. It is a visual for me and a smell for my son. Both of these perceptions are correct and and from the view of the person concerned, they are also real and complete. Now my son comes into the room, he sees it. When the experiencer changes his position his perception evolves. Visual has added to smell. The perception of ‘smell’ was complete in itself while he was in the other room. Now that he is in this room, the ‘visual’ adds to the experience, but it this not deny the ‘smell’ perception. Both are correct by themselves but taken together too they are correct. If you think deeply, it is actually a paradox. What is real or complete or illusion or incomplete cannot be defined with exactness ever. Now he eats the sweet. He has changed his point of view again, his perception now adds taste. His inner self  then experiences the intention with which I have cooked the food. His perception has moved from basic matter to energy. The perception has evolved from matter to subtle energy. Now if he can also experience the ‘conscious intelligence’ embedded in every particle of the food, it would be Moksh for him.

Every experience is transcended till the point where you reach Yourself.

The angle of perception, the point of reference is paramount. Change the position from where you observe. If you focus on your Ajnya chakra as you do your Dhyan you change your position, so your observation and experience changes too. As you do your spiritual practice, you will realise that you actually see, taste, hear, see etc sense directly from your Ajnya chakra. ie you can read a book even if you are blindfolded etc.

If you bring your awareness to the position of the ‘pivot of manifestation’, ie the Purush you will be able to see the Prakruti around you. She is of the form of the Shri Yantra, in infinite dimensions, whirling around you. You see the Shri-chakra in 2 dimensions, the Meru in 3-D, now can you imagine this perfect geometry around you in infinite dimensions? You remain still, this geometry is around you in all its magnificence. This is how the manifested creation looks like when you put yourself at the central Bindu. It is fascinating, you are observing yourself. And if at this point the last step, if you can with conscious awareness, realise that both the Purush and Prakruti is essentially the same, the whirl stops and you achieve Sadyo mukti.

Right now you are aware of the matter moving around you. You are immersed in the dance of Prakruti. You are located in this whirl, your reference point is from within the dance. You know yourself as the body, you are seated in your room and reading this on your laptop. All of this is pure matter, of the realm of the Prakruti. You are fully engaged in experiencing Prakruti and her creations. As you should, for all this is for your entertainment. So do enjoy it.

But then there comes a point when you want to stop all this play-acting and immerse yourself in the Reality. How long will you be engaged in ‘matter’? You are experiencing only one-half of the duality which was Created. There is the other aspect ‘the aware pivot’ which you have never consciously explored. You are not aware of the consciousness embedded in every dust mite, in every thought, in every emotion of this manifested. For how long can we be stuck in pure ‘matter’? We should try to experience pure intelligence also. Even modern quantum theories have grudgingly reached this conclusion that everything possesses a fundamental ‘intelligence’. They now call this quantum mechanics and try to develop theories of ’entanglement’.

India, Bharat, was, is and always will be a land of the Seers, Rishis. These Rishis went within, into the inner consciousness and achieved the goal of observing the self, experienced pure consciousness and beyond it. These are the examples who drive us, the spiritual seekers. This is why we adore our Rishi-Seers or the Guru. They are the Jivan-mukt, they show us that you can be the experience, the experiencer, the act of experiencing and more all at once! These are what we strive for, their example reassures us that we can also do this ourselves.

Eclipses in the horoscope, birth and transit analysis

There is a very cute story where Shiv and Shakti are playing a game of dice. As the game gets over, Shakti playfully covers Shiv’s two eyes with her hands. There is pitch darkness. But then his third eye opens and there is Illumination. This rather romantic story has very deep esoteric meanings. Purush and Prakruti are involved in the Game, Lila, manifested creation. Purush as the catalyst and Prakruti as the performer and the performance both. Prakruti at the end of the game, by her own actions, shuts the perceptions linked to her game. There is actually an instant of pitch blackness at a crucial point of your Dhyan. If you can cross this, the third eye does ‘open’ and there is the Illumination of the Self. This light brings to you the real nature of duality, you realise that both Purush and Prakruti are essentially the same. There is no duality at any level whatsoever.

This is the experience of Nirvishesh Brahma or Advaita or Para-brahma. You have achieved Sadyo Mukti and become a Jivan mukt yourself. You are now a Guru.

 

Using the Akshar, Mantra and Sanskrit

Sanskrit (Devbhasha Samskrutam) has the following sounds. These are called Akshar, which means that they are fixed, unchangeable, cannot be ‘interpreted’, their meanings and powers are perfectly fixed. This is the list of the 54 sounds. (I don’t know how to write them with the diacritical marks).

  • 14 vowels – a, aa, e, ee, u, uu, rhu, rhuu, lhru, lhruu, ae, ai, o, au
  • 2 support vowels – am, aha
    • अं अः
  • Gutturals – ka, kha, ga, gha, nga
    • क ख ग घ ङ
  • Palatals – cha, chha, ja, jha, nja
    • च छ ज झ ञ
  • Cerebrals – ta, tha, da, dha, na
    • ट ठ ड ढ ण
  • Dentals – ta, tha, da, dha, na
    • त थ द ध न
  • Labials – pa, pha, ba, bha, ma
    • प फ ब भ म
  • Semi-vowels – ya, ra, la, va,
    • य र ल व
  • Sibilants – Sha, Ssha, sa
    • श ष स
  • Consonants – Ha, LLa, Ksha
    •   ळ क्ष
  • Conjunct Consonants – Tra, Jnya
    • त्र ज्ञ
  • The sound of the Bindu or dot. (it is somewhat like ‘ang’, very very nasal)

The energy beauty of sounds

There was a question on what these sounds mean on the spiritual or energy front. You should read the Akshamala upanishad (its text is available on sanskritdocuments.org Or you can also refer to the Sharada Tilak for more information). Each sound /Akshar has a meaning and this small but important Akshamala Upanishad gives the meanings. Every Sanskrit Akshar links with your chakras and you will eventually experience their true power in your spiritual progress. When we speak, we cannot utter the consonants on their own. They have to be linked with a vowel to be uttered out loud. When you utter these sounds, Akshar, you are manipulating your body and mind energies using their targeted energies. If you consciously do this you can bless, curse or progress faster spiritually.

These Akshar are in Devbhasha Samskrutam, the perfectly arranged definition of illumination. Only Sanskrit Mantras are the effective, these have been ‘seen’ by Rishi/Seers and every mantra has the name of the Rishi who first saw it. There are some ‘modern gurus’ who propagate some ‘modern mantras’ of their own devising. Do not use these as you might hurt yourself on the energy levels.

Mantras work on several levels. When you utter them you are manipulating your physical body, it is a vocal exercise first. The mouth and the vocal apparatus directly affects your own ajnya chakra so first of all your own the Ida, Pingala and Sushumna are subtly affected. The vibrations move upwards through your nasal apparatus and are almost fully absorbed your your third eye, thus your entire body. Try this with the sound of ‘Ang’. Close your eyes, wear a eye-mask, and recite just ‘ang’ aloud, very nasal sound, drag the ‘nnnggg’, your lips remain open, and tongue presses against the palate. See the colors and patterns which you will see at your third eye. This ‘ang’ is used as the ending sound of every beej mantra, so that the energy of this seed sound is directly linked into your Ajnya chakra.

Then you are also fixing your mind on the meanings of the Mantras, so it a mental exercise. This lets your mind be absorbed in the beauty of the experience. This is the basis of “Laya yog’. When you hear the sound or rather experience its vibrations, it affects your internal energy structure. Words have inherent beauty, wonder if you have noticed? All this happens to you first, then to the listener. Our parents taught us to speak only auspicious things, speak the truth etc from our childhood onwards just for this reason. We modify our own energies by the simple act of speaking. Try this, choose one mantra, eg the Gayatri mantra or Soham, and whenever you are mentally or physically uncomfortable, just recite this mantra a few times in your mind, try to focus on your third eye as you do so. In less than a minute you will feel differently on both the mental and physical levels.

Mantras make things move, they are fire, embodiment of the Raja Gun, of Devi Sarasvati. She is depicted as playing the Veena, a musical instrument, this is nothing but the Sushumna. The Sushumna with all its chakras and its powers! Devi Sarasvati plays the Sushumna as one would play a musical instrument.

kalam-playing-veena.jpg
Dr A.P.J.Abdul Kalam, the highly respected Ex-President of India playing a Veena

First all the vowels, as per the effects they create, are considered to be basically linked to the Ida. However they are also connected to the Pingala and Sushumna as follows.

  • All the short vowels ऋ ऌ are also linked to the Pingala. These are considered to be masculine, of potential energy and steady. When we utter a short vowel it gets linked to the Pingala. All consonants when linked to a short vowel are link more strongly to the Pingala.
  • The long vowels link only to Ida. These are considered feminine or active or varying in nature. And when we utter a consonant with a long vowel it gets linked to the Ida.
  • The vowels are also linked to the Sushumna. These are considered to be genderless, they can neither be considered to be active nor inactive. A consonant with the vowels gets linked to the sushumna.
  • There are the two support vowels.
    • Am अं is linked to the Purush, the constant unchanging masculine witness. A consonant uttered with the ‘am’ or ‘ang’ ending gets linked to Purush. ‘ang’ makes it very intense.
    • Aha अः also called the ‘Visarga’ is linked to Prakruti or the feminine active principle of creation. A consonant uttered with the ‘aha’ vowel ending is linked to Prakruti.

All the consonants are basically linked more to the Pingala.

  • All the 25, gutturals, palatals, cerebrals, dentals and labials are considered to link to the Pingala.
  • However the semi-vowels – ya, ra, la, va, the sibilants – श ष स and the last three consonants –   क्ष  are linked to the Sushumna. and क्ष are very important Akshar are they are linked to the two petals of the Ajnya chakra lotus. And the is linked in the Sahasrar.

Even if you recite this Askarmalika ie the sounds of the Sanskrit alphabet once a day they are the easiest mantra possible!

In fact during the Yadnopavit, it is the Sanskar, the energy ritual where boys are taught the Gayatri mantra, they are first taught the Shiv sutrani, these are simply the Akshar in a very specific sequence,

  • अ इ उ ण्
  • ऋ ऌ क्
  • ए ओ ङ्
  • ऐ औ च्
  • ह य व र ट्
  • ल ण्
  • ञ म ङ ण न म्
  • झ भ ञ्
  • घ ढ ध ष्
  • ज ब ग ड द श्
  • ख फ छ ठ थ च ट त व्
  • क प य्
  • श ष स र्
  • ह ल्

This sequence is highly mathematical stuff, if you search there are numerous research papers on the beauty of this maths. This is the basis of the grammar of Sanskrit. Reciting this sequence generates very beautiful energies. Say them aloud and see for yourself.

Now a spiritual aspirant is interested in those sounds, Akshar which are connected to the Sushumna, so we have our list, the vowels औ अं अः and the consonants य र ल व श ष स ह. If you observe our Mantras they are more composed of these Akshar. These mantras drive the energy directly into the Sushumna.

Today is Diwali, the festival of Light. This is the Amavasya, the no-moon night of the Ashwin month. The Ashwin month is bursting with the energies of illumination, ie the energy of the Devi are extraordinary throughout this month. It starts with the bright fortnight, with the Navratri. Continues with the most intense full-moon, Kojagiri Purnima, the Moon is closest to the earth during this full-moon. Then the power again starts building  from the 11th day of the dark fortnight till the Amavasya, today. On this night, twilight onwards, pujas for the Devi in her Satvic –  Laxmi, Rajasic – Sarasvati and Tamasic – Shakti forms will give immense benefits. So do not waste this night, use its energies for Devi pujas. Practice and experience for yourself. The really serious practitioners will have prepared in advance for this night, there is so much you can do tonight if you know how.

Wishing everyone a very happy, prosperous and auspicious Diwali.

May the Devi bless every one of us!

 

Siddhakunjika Mantra

 

Tilak, applying it on the forehead

A ‘Tilak’ is a mark that a Hindu/a follower of the Sanatan Dharma wears on the his/her body. A average householder wears a tilak on his forehead first thing after having a bath.

When we sleep at night, our consciousness is drawn away from the physical body, ie the anna-mai-kosh. This physical body sheath is given just the basic minimum pran required to run the basic life processes. The individual soul/ Jivatma withdraws to the subtle body, the sookshma sharir during the dream state and deep sleep states. When you wake up in the morning, the consciousness again reanimates the physical body, but the sleep/ dream states have interfered with the body’s nadi/ pran wiring, it is seen in the aura, it is somewhat ‘blotchy’. When we have a bath and the body is made wet, the aura is withdrawn into the body. Now when we dry ourselves, the aura fans out again, you feel it’s warmth. Now this new refreshed body /aura /mind /soul needs to be reminded of its divine connection. So you put a tilak on your forehead at your ajnya chakra. The Ajnya chakra is the seat of the individual soul, this chakra controls the intake of the pran from the Universe and also the allocation of pran for the activities of the body/mind. This is the place where you have to concentrate on when you do your spiritual practice. So when you put a red tilak here you are literally energising your entire self.

Listing out these several types of Tilak-s used commonly,

 

A red dot between the eyebrows at the point of the third eye, ajnya chakra.

This red powder is called Kumkum. It is generally made by mixing ground turmeric powder and slaked lime with a drop of lemon juice. But this mark is really made by rubbing a strand of saffron/kesar in a drop of water. ‘Kumkum’ is a Sanskrit word which means saffron, Crocus sativa. This is the most potent Tilak, if you can afford the saffron strands, you should wear this on your forehead.

This red tilak is used by any person who wishes to acknowledge his higher spiritual self within himself or herself. It is used by both men and women who do puja of Devi, the feminine force who animates this creation. Married women compulsorily wear this on their forehead to indicate prosperity, ‘Shri’. A married woman is the Gruh-Laxmi, the sign of prosperity of the household. She wears this red tilak in recognition of her own divinity. There is variation of the red dot, the red crescent, with or without a round dot. This now represents the crescent moon that the Devi wears on her forehead and increases self-confidence, strength and aggression too.

Then there is a form of this saffron tilak which starts at the third eye Ajnya chakra and continues into the hair, till the top of the head, Brahmarandhra. It is a red line from the center of the eyebrows to the top of the head. It connects the seat of the individual soul, the third eye to the seat of the Ultimate, the Brahmarandhra, it links the two. If you use Kesar/saffron charged with mantra to draw this tilak your spiritual progress speeds up.

(For women the 5 days of the monthly cycle will again pop up.You cannot do pujas or anything on these days, so the modern world has the short cut of the sticker bindi! You can also use the red turmeric mix on these 5days)

The tilak is made even more potent by putting a few grains of raw unbroken rice on it. These rice grains are placed before the deity you worship and they absorb the energy of your puja mantra etc. When you wear the rice grains also on your tilak the energy here becomes magnified exponentially.

The Tripundra. Three parallel lines of Vibhuti/ Bhasma/ sacred ash, horizontally across the forehead.

Vibhuti is the greyish ash which remains when you do a homam. A homam is a small version of a yadnya. All Hindus are supposed to do the Agnihotra Homa every sunrise and sunset so there is ample Vibhuti always available. (A simple Homam does not need much. A small inverted pyramidal copper homa-kund, desi Indian cow’s cowdung cakes and its milk’s Ghee. The cowdung cakes and ghee is burnt in the homa-kund with accompanying mantras. The energy of the mantra enters the ash, the Vibhuti. This Vibhuti can be used in several ways. Often the vibhuti is applied as a simple dot at the third eye chakra.)

  • The three fingers, middle, ring and little finger of the right hand are used to draw the tripundra in a sweeping motion across the forehead. Those who worship Shiv will wear the Tripundra. The tripundra is also drawn on the body, the neck, the biceps, forearms, chest, navel etc.
  • A Tripundra across the forehead with a red dot at the third eye chakra. The red dot is of Kesar/Saffron and the Tripundra drawn using the Vibhuti. This is worn by those who do pujas of the Ugra (dangerous and terrifying) forms of the Devi Shakti. And for those who do puja of Shiv and Shakti together. It’s other variation is the Tripundra with the red vertical line connecting the third eye chakra and the top of the head.

Wearing a Tripundra is a a level-up. You have invited a specific type of energy into yourself. Shiv is the potential energy of the Tama-gun and Devi Shakti is the kinetic active form of Tama-gun. When you put their marks on your forehead you are clearly intending that you desire Moksh. The three lines are the three Gun, Satva Raja and Tama, the building blocks of the creation and red dot represents the combined energy of creation. (A red line represents your real self or connection to your real self.) You are using Vibhuti, burnt ash as to draw the Tripundra. This indicates that you want to destroy the three building blocks of creation and progress onwards. You want to dissolve creation and the creator both and go beyond them to your own Reality. The red dot is made with saffron charged with mantras. It is a big commitment. If you wear these marks on your forehead, you should be aware of your own actions and your conscience at all times. 

The Urdhvapundra. This mark is made by three vertical lines on the forehead. These three lines meet at the third eye chakra. This mark is to be made with sandalwood paste. Sandalwood has the effect of calming down the mind, it is easier to concentrate. The movement of the pran in the nadis becomes less turbulent and you can work better with it. Worshippers of Vishnu draw this on their foreheads. It can be drawn with the fingers or using a stick of the Tulasi plant (Ocimum sanctum). These three lines represent the three main nadis, Ida, Pingala and Sushumna which are connected at the Ajnya chakra. Sometimes the central line of the Urdhvapundra is drawn with red powder or more correctly with saffron. If the Urdhvapundra design is too complicated, a sandalwood dot at the third eye chakra can be applied instead.

Vishnu is the conscious potential of the Satva-gun, it increases the inclination of the aspirant towards the Ultimate reality. The red color is representative of Agni/ pran. Same as the Tripundra, the Urdhvapundra indicates that the three building blocks Satva-Raja-Tama have to be channelised, balanced by the active use of pran/Agni and one they are balanced the central dot of your internal geometry can be accessed. (Everything ultimately comes down to Shrichakra!)

So if you wear either of these marks linked to Vishnu or Shiv the seriousness remains the same. Satva and Tama are by themselves incapable of movement, it is only Raja-gun which moves them so that you can use their potential to move onwards on your spiritual path. You are reminding yourself of your commitment when you wear these special tilak marks.

 

Now how to put a tilak? The right hand is used always,

Ring finger – The best option for putting a tilak on everyone. This finger is called Anamika and is ruled by the Sun. It represents the Prithvi mahabhoot (solidity). It increases prosperity confidence, creativity and brings you closer to your internal divinity.

Middle finger – This finger is called the Madhyama, ruled by Saturn, represents ether, Akash Mahabhoot (ether).  It increases endurance and the capacity to work. It is rarely used alone, generally will be used together with the ring finger to draw an elongated type of tilak.

Thumb – this is called Angushtha and is ruled by Venus and represents the Agni mahabhoot. A tilak applied with the thumb increases valour, courage and mental strength.

Forefinger – The index finger is called Tarjani and represents the Vayu mahabhoot (air), it is also linked to the planet Jupiter. It is never used to apply tilak-s to a living person. Is used to apply tilak-s to a dead body at the time of cremation. A dead body is the discarded vessel, the spirit is now in the body created by only Vayu and Akash mahabhoot. So you are really intending that the energies of the tilak reach the spirit’s body by using this finger.

Little finger – this is called kanishthika and is linked to Mercury and the Aap mahabhoot (fluid). This finger is never used to apply tilak-s. It is highly inauspicious as it increases mental turmoil. If you know how, you can make someone go insane just by putting a tilak with this finger on his third eye chakra.

Tilak-5.jpg

In all Indian festivals and pujas, people put tilaks on each other. eg in Raksha bhandhan the sister puts a tilak on her brother. On the new year day, the wife puts it on her husband. If my women relatives come to my house, I will put a tilak on them. If they are men relatives, my husband will put a tilak on them. If you go to a temple the priest will put a tilak on you. It is all very usual and necessary.

But the point of the third eye chakra is very sensitive, so here are a few things. Do not let random people put a tilak on you. Do not put random stuff on here, eg vibhuti from unknown places can be dangerous. Do not put a black colored tilak on your third eye chakra ever. This will attract negativity into your energy system. Avoid chemicals. Most red powders sold as ‘kumkum’ are dangerous dyes, they will not do anything for your spiritual growth and you might develop skin allergy. The turmeric-slaked limestone (a very small pinch of choona) mix is safer, if you cannot afford saffron.

So do wear a tilak on your forehead. If you feel shy about wearing it throughout the day at least wear it for some time after you have your bath till you do your puja. It will energise you from the inside out.

 

Six types of mantras in ‘magic’

Mantras are intentions. Specific Sanskrit words which amplify your intentions and make things happen. There is a misconception regarding Mantra, Yantra  and Tantra. Most people think that all this is evil and black magic. It is nothing of the sort. Energy is plain energy, you can use it a per your conscience. Mantra is a way of harnessing and focussing energy. It is your intention makes it good/evil and none but your conscience judges you.

There are six types of mantra as per the intention of the user.

Shanti mantra – these mantra are used for peaceful purposes. Shanti means rest, peace, calm, averting pain, welfare, etc, positive state of mind and body. These reduce the effect of negative energies prevailing on the practitioner and his family. Checking evil actions of enemies, ghosts and malefics in the horoscope. This can be used to enhance recovery from diseases and also to avoid impending disease/death. Even to ensure a good agriculture harvest, milk production and in animal husbandry. For success in business and profession and to avoid losses, tension and theft. To improve self-confidence and achieve one’s desires.

Shanti mantra are not harmful to anyone else and are intended for everyone’s welfare. There are pujas like Satya-narayan pujas where the mantras are invoked for peace and happiness in a family and in the society.

Jupiter, the owner of Sagittarius and Pisces

Vashikarna mantra  – Vashikaran means to attract, subjugate, tame, bewitch etc. These mantras are used to bring someone or something under the control of the practitioner. If you want your enemy to be in your control and get your work as per your desire these mantras are to be used. But remember that controlling someone against his wishes for personal gain and selfishness is negative karma. So think twice, if this is for the actual benefit of that other person and if your conscience permits it. Generally these mantras are used for gaining worldly pleasures and the wife/husband of choice, this is a positive way of using them where you are not coercing others for your benefit. But the prevailing theme is to use these for controlling the spouse against his/her will, it later inevitably leads to karmic back-lash (have seen this happen several times). These are also used by tantriks to capture spirits as slaves which almost always has a bad ending.

Sthambhan mantra – Sthamban means to arrest, restrain, check, paralyse etc. These are used to stop or reduce the speed of actions. The proper use of these mantras is to stop anyone from speaking or doing anything bad against you, this is justified. These will not actively harm the other party just stop them. But there are people who will use these to cause problems for others. Eg you get a client who is unable to get married and you see that her neighbour has paralysed the situation out of sheer spite! There are plenty of unscrupulous practitioners who can perform such rituals for a fee.

Vidveshan mantra – These are used to create conflicts or differences between two persons. These can used to control a harmful person who is causing damage to you as a means of self-protection. However some people use them to create differences between family members, this is negative karma.

Ucchatan mantra – Ucchatan means to ruin, eradicate, separate, upset, overthrow etc. These mantra create disturbances in the mind of the target. These can make humans, animals, spirits etc leave a place by force. The target meets with failures in his profession. Thee can be used to make someone distracted and lose focus. Earlier these were used against enemies of the nation or in situations where a large number of one’s people were to be protected from invaders etc. Even now they are used to get rid of ghosts and to clear up hauntings. These can be used for self-protection. eg If someone has abandoned his spouse and family, and is running after someone else, he can be made to forget that person and brought to his family.

Maaran mantra – Used to kill someone. (Should be never used, as it is a huge negative karmic action). These mantras can be used only in very rare cases, perhaps in national interest, where protection for a large segment of people can be ensured only with the death of one person. The karmic cost of this act is very high.

Obsessively Ambitious Kaal Sarpa

The general method in using these Vashikaran, Stambhan, Vidveshan, Ucchatan, Maaran mantras is to create an item infused with the energies of this mantra. Anything touched by you becomes a means to gain access to you. Even the soil on which a person walks on can be collected and used if one knows how. So if your enemy or someone you know is inimical to you gives you some of these things, avoid.

  • To eat as a prasadam – ghee, fruit,
  • Tries to give as a gift from the deity – flower, leaf,
  • Or if tries to put a tilak ie a mark on your forehead using ash, vermillion etc.
  • Or if you see things dropped at your door, eg, sticks smeared with vermillion etc, ash, lemons, mustard seeds, coconuts, random strange things which have a disagreeable aura.
  • Or you see nails put into your front door frame, these are difficult to see and this happens quite frequently.

So much about mantras but which are the mantras used? One extreme is the Devi Mahatmya /Durga Saptashati. This book has about 700 mantras. Each one has a meaning and a specific way in which they are to be used. But to use them first you have to ‘Siddha’ the Nav-avarna mantra. ie the Nav-avarna mantra has to be fruitful for you. This means a 9 lac repetition of this Mantra first. After that the entire mantra set of the Devi Mahatmya is in your grasp. The second extreme is our daily Gayatri mantra. (ॐ भूः भुवः स्वः । ॐ तत्सवितुर्वरेण्यम । भर्गो देवस्य धीमहि। धियो यो नः प्रचोदयात॥ ॐ Om bhuh bhuvah swahah Om tat savitur varenyan bhargo devasya dhimahi dheeyo yonah prachodayat Om). Recited in its regular format it works as a very effective Shanti mantra. But there is also an entire tantric way of using this mantra, most commonly by adding a beej akshar to it.

So for all of us the safest and easiest way of protecting ourselves is to recite the Gayatri mantra in its regular form. This is all the magic that you need!

 

A small awareness exercise

Light a Lamp, use the power of Agni

All Indian households will perform one activity compulsorily, light a Deep दीप ie a lamp in front of the household deities, or their object of faith, at least once a day. This is so deeply programmed in us that even if we do not really know why, we do it daily. Some households light the lamp twice a day at twilights, ie dawn/dusk and in some, like mine, it burns continuously. Akhand Deep, अखण्डदीप the infinite unbroken illumination.

Light a Lamp, use the power of Agni

Physical light is considered to be similar to the knowledge of Illumination. It primarily removes the darkness and confusion caused by ignorance. You know the true nature of things around and about you once they are brought to light. The ogre under your bed disappears when you switch on your bed-side light. This is a permanent and lasting awareness. Knowledge is the greatest wealth which never diminishes even if you give it to everyone. You and everyone benefits when you give. When you give of your wisdom and knowledge, both your and your student’s clarity increases.

But then if it is about just the light then an electric light should be be used for doing pujas. Keeping with the times, so as to say! And you will find plastic lamps shaped like the traditional ones with an electric bulb fitted in it. These do bring in light, but they do not have the spiritual connection that a traditional lamp has. In the Deep, we burn either ghee/clarified butter or sesame oil with the help of a cotton wick. This Light brings Life.

Now oil in the lamp represents our karma. (Eg A good remedy to balance out the energies of Saturn is to light a sesame oil lamp on Saturdays with full intention.) If you burn ghee/clarified butter in the lamp, it represents the Vasanas, the desires which make up your mind and which reside in your individual ego. The wick represents the self-ego. When you light the lamp with intention it represents the slow but sure burning of the desires and the karma which were linked to the self-ego. The oil burns and exhausts, finally the self-ego also perishes, ie the wick is also burnt out. All your negative tendencies are burnt in the fire of the Deep. The flame of the light always moves upwards, a subtle reminder that you should always rise upwards, away from the karma, desires and the ego. Kundalini herself is fire, she also has to rise. When your soul is finally illuminated with self knowledge you realise the Parabrahma.

Now the Deepak is also a tool. It reminds you to use your desires and karmic actions to actively burn your self-ego and turn all this into light. Take control of your mind where these desires reside, train your mind to desire self-illumination. Use your self-ego where your personal Will resides and make it work for the Ultimate realization. The desires and karma if harnessed correctly with the self-ego can work wonders. Then the Vasana/desire is converted to the right intention. The self-ego fed by the desire to perform the right action, changes its character. What desires you feed your self-ego with, decides your evolution.

Light a Lamp, use the power of Agni

Now, it is ideal if you can recite a mantra while lighting the Deepak, lamp. Mantra is an intention expressed in Sanskrit (Devbhasha Samskrutam). Every sound of this eternal language is linked to your internal chakras, so it works on the deepest levels on you.

You can recite any of the following mantra,

The Gayatri mantra, Om Bhuh bhuvah swahah, Om tat savitur varenyam, bhargo devasya dhimahi, dhiyo yo nah prachodayat, Om 

  • (detailed post with meaning here)

Om Deepajyoti parabrahma, Deepajyoti janardana, Deepo haratu may papam, Sandhyadeepa namostute Om

  • Om – Ultimate Reality.
  • Deepjyoti – The brightness of the lamp, the eye of illumination, intelligence, lightning seen at the third eye, life, fire, meter of prosody, time, the light which precedes self-realization, etc
  • Parabrahma – the unknowable Reality which cannot be described in the language of the created worlds. The ‘beyond intelligence’.
  • Janardana – the energy which excites, causes movement and changes other energies. ie brings about creation, maintenance and destruction of the created.
  • Haratu – request to take away, remove, carry, wear, destroy
  • May – of me, for me
  • Papam – inauspiciousness. (There is only one form of genuine auspiciousness, ie Self-Realisation. There is only one form of non-auspiciousness, ie Self-Delusion.)
  • Sandhyadeep – the internal illumination that you see at your third eye in deep Dhyan. or alternatively the lamp which is lit at dawn and dusk. Sandhya is the junction where real and unreal meet.

The Agni Gayatri mantra. Om Sapta jivhaya vidmahe, havya bhadraya dhimahi tanno Agnih prachodayat Om

  • Sapta-jivha Vidmahe – First ‘seven tongued’. This refers to the seven chakras from the Muladhar to the Sahasrara, ie their conscious energies. These 7 chakras are the seven tongues of the conscious energy of life. The intelligence of the fire animates these. Then ‘to get, to know, to find, to understand’. You are asking the conscious energies of the fire to bring you the understanding of your internal energies.
  • Havya – means ‘an offering or to call’. Bhadra – ‘excellent, auspicious, great, gold, that portion of the Ganga which resides in the celestial realms,’ ie your Ida nadi. It means the one who carries the offered energies through your Ida nadi and distributes it to the conscious intelligence who creates your body/mind. Dhimahi – धीमहि is a verb in the present imperfect tense. धी/Dhi is Intelligence. This word indicates that Intelligence is never a stagnant closed end, it is in continuous motion even if it is in the present Moment. You are asking the Supreme to grant you that ever-evolving Intelligence of the present Moment. In short you are calling on the energy of the fire to take these energies inside you and build your body/mind.
  • Tanno (tan nah) Agnih prachodayat – Tan तन् means continuing, uninterrupted propagation. Nah नः represents the ultimate creative energy and also the power to accept and receive it. It allows the seeker to focus on the infinite, thus become infinite himself. अग्नि: Agni is the conscious intelligence of fire. The ability to comprehend, to work, to move, animate, knowledge, illumination, the light of the third eye, the Ajnya chakra.
  • Prachodayat means ‘to incite, inspire, urge, demand, excite, summon, proclaim, request, impel’. In short you are asking the conscious intelligence of the fire, ie the intelligence of the Ajnya chakra, by any means of action, to bring this experience to you.

Or finally. Om Shubham karoti kalyanam, arogyam dhana sampada, shatrubuddhi vinashaya Deepajyoti namostute Om

  • Shubham – eternal auspiciousness, Parabrahma
  • karoti – does, is
  • kalyanam – fortune, benevolence, virtue, generosity, beauty, happiness, gold, self-realisation
  • Arogyam – health, freedom from diseases, removal of afflictions. In the spiritual sense there is only one disease/affliction, ie self-delusion
  • Dhana – gift, wealth, valued object. There is only one such, ie self-realisation
  • sampada – to make complete
  • Shatru-buddhi – Shatru is hostile enemy. Buddhi is the tattva in which the desires/vasana reside. These vasana are normally hostile and inimical to self-realization. If you can destroy their hostility, you can get this Buddhi to work with you for self-realization.
  • vinashaya – to destroy to utterly annihilate. The inimical tendency of the Buddhi is annhilated, not Buddhi itself!
  • Deep-jyoti – conscious energy of Agni, Ajnya chakra
  • Namostute (namah astu te) – That infinite. That paradox of illusion and wisdom united together. That depth of stillness and ease of flowing movement together. That eternal unborn one in solitude. May that be!

And finally if it is too difficult to remember these mantras, just recite Om, three times, as you light your lamp.

Light a Lamp, use the power of Agni

When you recite any of the above mantras for Agni you are calling on all these terrible and terrifying forces which exist within your own self. You are giving them a safe and productive channel. This is the infinite power of Agni, it can be used to transform!

The lighting of the Deep, lamp at home is considered highly auspicious, it brings prosperity. And when you are doing this, for the 10 seconds, you are focussing very intensely on the wick, the match-stick and light. In spiritual terms, even one instant of intense focus is enough to bring self-illumination. The part is also the whole. So when you light lamp you are also lighting the lamp of true knowledge in yourself. The Agni/fire is called the Jata-veda, the ‘one who knows everything’. (A tip. If you have one pressing question on your mind. Light one Deep in front of your household deities before you go to bed. Think of your question and request the Agni to answer. You should get your answer in your dreams as you sleep.)

Agni is associated with the Raja gun of the Prakruti. Agni brings changes, it is linked to the potential energy of creation called Bhahmadev and the active principle of creation ie his wife Sarasvati. its conscious energy resides at the third eye, Ajnya chakra. This was the spiritual part of Agni.

When the energy of this Agni is differentiated, it also becomes at part of your internal constitution, ie in the panch-bhoot. It becomes differentiated and its tiny component resides at the Manipur chakra (Oudarya Agni), this takes care of your body’s heat, metabolism etc. Then there is the Aakaraja Agni which is present as the ‘heat’ in metals etc. Then the Divya Agni resides in the heavenly bodies, stars including our sun. And finally the physical Bhauma Agni which we see with your physical eyes as flames.

In Ayurved, Agni is associated with Pitta, it is heat. Its job is the transformation of food you eat and the pran you pull in from the Universe. And it controls all the psychic factors which drive spiritual evolution. If this Agni does not work properly you fall ill physically/mentally.

Now a few technical things. What to burn. It is ghee or sesame oil. For some typical rituals neem oil, mahua oil, castor oil, coconut oil is used. Do not use any ‘refined’ oil, it is a chemical product. The wick is made from white cotton fibres. (For doing some typical Devi pujas this wick is made bit yellowish by touching a bit of turmeric to it). You should make 2 wicks then make them one by twisting them. Never use a single wick. The lit wick of the Lamp should always be towards the east direction. Keep the lamp (should not be of steel/ iron) on a copper metal plate (don’t use a steel/ iron plate), keep a few grains of uncooked rice below the plate. 

Hinduism is not a religion, it is Sanatan Dharm, the ‘Eternal way of Life’. You follow your own conscience and know that the law of Karma prevails. (There is no superstition here. And one cannot explain a Ph.D level topic to a pre-school child. The child has to go to school first and study till he reaches that level. If someone wants to criticise this Sanatan Dharm, it is the same, do study first. ie Do your Dhyan regularly for 6 months, see what you experience, then if your conscience says it is ok, go ahead and criticise.)

So if you feel like it, do light a Deep, a lamp in your house. This will not just light up your house but also your life and your energy on all levels. Experience your energy for yourself.

Light a Lamp, use the power of Agni

 

Kundalini piercing the 3 knots and the 6 chakra

The entire Shri Vidya is based on the geometry of the chakras and the movement of the Kundalini in your body. The Shri-chakra geometry is your energy geometry in perfect equilibrium. If you place all your chakras one above the other you get this Shri geometry. It is worshipped in 2D and in 3D in several ways to increase the personal energy. This diagram is the basis of the entire Tantra and all spiritual practice. Your Kundalini starts at the very bottom Muladhar chakra, and after curving through this complicated geometry it reaches the top central dot, Bindu. Only in deep Dhyan and by the pull of your internal Guru does the Kundalini move from its resting place. Else it will not stir and it is for your own protection. Only when you are mentally ready to accept, experience and transcend duality and illusion does it move. Kundalini is not some mystic power nor is it some prize.When it moves and ultimately reaches its destination you leave this Universe/Creation forever. As you realise your real self, you realise that the universes are all unreal. You realise Moksh.

This post is just to pique your interest. To actually experience anything of this sort you will need to practice Dhyan.

Tripur, Tripurari, Tripursundari

The Shri-chakra geometry is basically in two parts.

The topmost bindu, the central dot is the avyakta para form. The tiny dot within the central equilateral triangle. This is the unmanifested Beyond form or the Ultimate Intelligence. The Para, your real nature, the ultimate you. If your Kundalini arrives here you experience your own reality. This is your target.

The equilateral triangle around the central dot and everything around this triangle is the vyakta or aparaa form. This is the manifested creation or the unintelligent limited energy. Your body, mind, your universe etc is created outwards from this triangle (this post on the 24 tattva-s). This lower part is further sub-divided into 3 sections.

Vahni वह्नि mandal

The lowermost 2 chakras, Muladhar and Swadhisthan are the Vahni वह्नि mandal. The circle of Fire. To cross this mandal, you are required to transcend the Muladhar and Anahata chakras and then undo the Brahma Granthi/knot. Here ‘you’ means the energy of self-identification called the Kundalini. With every movement of the Kundalini your concept of Self is expanding yet becoming subtler.

The Vahni mandal is deeply linked to Raja gun. (You are composed of the three Gun.) Raja gun is the energy which creates illusions. It creates ‘Maya’. Fire is perhaps the greatest illusion, it is not technically matter nor is it completely energy. It exists, but shifts continually, you cannot pin-point the flames to a definite location. You cannot describe its color or shape, it is every changing. It transmutes, it consumes, it releases. Very fascinating. Brahmdev is the name of the conscious intelligence of the Raja-gun, represented by the Fire, Vahni. Here the Real and illusion, the material and the spiritual mix, you cannot tell them apart. This knot opens only when attachment to the illusion, the gross world is abandoned. The gross body is called the sthool-sharir which is composed of the anna-mai-kosh, the body which is linked to the material. (Your body is composed of 5 sheaths.) The reality or rather the unreality of this sheath is first experienced and then transcended here. Once the kundalini crosses this Vahni mandal, your consciousness can intentionally separate from the physical shell, eg you can consciously leave the gross body and travel using your subtle body.

Crossing this Fire-circle is very difficult as here you have to stop creating. If you look at your behaviour you are always creating, thoughts, ideas, emotions, tendencies, physical stuff, reading, writing, working, you create. And you are attached to these creation of yours. Stopping this creation and attachment to creation is extremely difficult. Not impossible but very difficult.

My Guru would say that Dhyan is necessary and ideally to be performed 3 times a day, ie in the morning, evening and once in the night sometime between 10pm-2am. When you begin your practice, you finish off one session in 30 mins, you get utterly bored, sitting, breathing and staring into the darkness between your eyebrows, mind wanders, the body aches etc. Later, maybe after 6months of this, you find that your mind is less diverted, your body is more supportive, your breathing is slower and you go on to about 45mins-1hr per session. The process gets enjoyable. Then after 1yr, you might see each Dhyan session going to upto 1.30hrs. There is deep internal intoxication (no other word). Later maybe after 2-3yrs of regular practice, it can stretch for hours, you will sit continue from 9pm – 5am, and your requirement for deep sleep and dream state will reduce and go to zero. All this varies from person to person, but the common theme is that you have to practice regularly.

You need to give time to yourself. In your life-time till now you have lived for thousands of hours, but have you given time to yourself? Time is the most precious thing you have and you have frittered it away on others. Try giving yourself these 1.30 hrs initially per day. It may not be possible for everyone because of genuine constraints but at least 30mins per day, one session daily?

You have to do Dhyan for some 500hrs to begin with at least, otherwise you will not see anything to do with pran or kundalini.

Who is a Guru?

Saura सौर  mandal

Back to our geometry, and the next 2 chakras. The Manipur and Anahata chakra-s make up the Saura सौर  mandal, the circle of the Sun. To cross this mandal you need to cross these two chakras and also undo the Vishnu-granthi or the knot of Vishnu. The concept of jivatma/individual soul as compared to your limitless Reality is the syllabus here. You are made aware of the unreality of the sookshma sharir or your subtle body. (The subtle body is composed of the Pran-mai-kosh, Mano-mai-kosh and Vidnyan-mai-kosh sheaths.)

The Sun represents the individual ego/ jivatma. Unless you give up the sense of narrow personal self, the experience of the greater Self is not possible. Here in the Saura mandal, the sense of attachment to the fruits of actions done by you is linked to your soul. Creation of new karma is possible only till the kundalini crosses this mandal. The new karma you create in your current life is called Agami karma which gets added to your stored karma. You can reduce the stored- Sanchit, karma by your spiritual practice.

The Vishnu Granthi, the knot of Vishnu opens only when attachment to the sookshma sharir or subtle body is abandoned. Vishnu is the intelligent energy of Satva-gun, this maintains the Maya – created illusion. Here you are taught the deepest wisdom linked to the Satva-gun. Not just taught, but also tested rigorously.

When you crossed the Vahni mandal, you understood, experienced and transcended your attachment to the process of creation and the attachment to the stuff you are creating. You transcended the illusion of ‘act of creation’. Now you do not desire new creations. But you are ‘someone’, you are Priya, Amit, a mother, a teacher, a son, you are scared of the dark, you like sweets, you are an Indian etc. You have all these impressions stored in your subtle-body accumulated from your past several lives. You are maintaining these impressions. When you attempt to cross the Vishnu-granthi you are shown these impressions to be the illusions that they are. All your notions about your limited sense of self are shown to you as being nothing, insubstantial.

To overcome some thing, you need to understand every aspect of that thing, experience it and transcend it. This journey of the Kundalini is just this process. The process can perhaps be painful or pleasurable. But both these mindsets cannot sustain in the understanding of the self. You are the Para, the beyond, you are complete in yourself, you don’t need the concept of happiness or any other feeling to describe your completeness. You are All there is. You are your own definition. It is rather a subtle understanding here.

In some cultures, the children believe that there is a magical person who comes once a year and gives them toys. The parents do not tell the child the truth unless he grows older and toys become irrelevant to him. Just like that, you are not shown the illusory nature of your material life unless you are capable of absorbing the intelligence in the way it should be.

Kundalini is an intelligent force, it will not move or do anything unless you are ready. There are some exercises on the internet which claim to move the kundalini, they are all fake. If by ill-luck you manage to ‘move’ the kundalini by force you are in for a very bad time, your body’s vital energy network will be short-circuited, the movement of pran will be affected, there will be physical illness and mental insanity.

So just do your Dhyan, your internal Guru will do the rest. Your job is very simple, just sit, breathe, focus and mantra every day, (either once/twice/thrice). When you attain the critical potential, things happen spontaneously. Your Dhyan is the process of cleaning up the road using the movement of pran/vital energy. When the road opens the kundalini will move on its own.

chakra-chart-min

Chandra चंद्र  mandal

Back to the geometry, the top one-third. This is the Chandra चंद्र  mandal, the circle of the Moon, composed of the Vishuddhi and the Ajnya chakras. To move onwards from here these two chakras and the Rudra Granthi is required be be navigated successfully. The energy body associated here is the Karan sharir or the causal body. Here you understand why you separated from the Greater Self in the first place. Why you have karma bound to your soul? This karan-sharir is the tightest sheath around the soul called the Anand-mai-kosh. The meaning of this sheath is rather typical, it means ‘the happiness you feel when you know that the game is near its end’, ie the eternal happiness of Singularity. As you cross the Vishuddhi and Ajnya chakras you finally transcend dualities and come within reach the Singular sense of self. Here you destroy the seeds of karma itself, you destroy the concept of ‘creation of creation’. You destroy the concept of ‘maintenance of creation’. Finally you destroy the concept of ‘destruction of creation’. The entire creation vanishes as if it never existed in the first place. The presiding energy here is the Shiv, the intelligence of Vishuddha tama-gun. The extra special pure energy of Tama-gun.

The Kundalini has to cross all these three mandal, in which it pierces the 6 lower chakras and these 3 Granthi. ‘Piercing’ is perhaps a wrong word to use, but Sanskrit words cannot be translated only experienced. All this happens within the Sushumna nadi, the thinnest energy channel of the body. Within this channel there are progressively thinner naadi-s, Chitrini and Vajrini. Nadi within Nadi layout. This thinnest nadi within a nadi is also called the Brahmanadi. This Brahmanadi is through, from the lowest Muladhar to the topmost Sahasrar+Bindu complex terminating at the Brahma-randhra at the top of your head. At every chakra and granthi this Brahmanaadi is twisted around itself in a very specific way. This forms the lotus/yantra of that specific chakra. Piercing the chakra means the energy moves smoothly through these thin complicated loops without damaging anything.

Till now the kundalini was in the region called Dharmakshetra-Kurukshetra in the Bhagwat Gita. To navigate this part you have to strive and focus, take efforts.

Bindu बिन्दु  mandal

Now after the Kundalini crosses the Ajnya chakra it reaches the last section where the Para pervades. You have destroyed your sense of your individual self. Now onwards the progress is more under the control of the internal Guru and your greater self. This region is called the Dash-angul-sthan, the space between the forehead’s Ajnya-chakra and the top of the head, the Brahmarandhra at the center of the Sahasrara chakra. This space is also called the Bindu mandal. It is also called the Dharmakshetra. The other remaining chakras of the head exist in this region.

This Brahmarandhra is the seat of true light of the self also called the Jyotir-lok, Satya-lok or Parabrahm.

In Shri-Vidya, the Mahakameshwar, ‘the great one who controls all desire’ resides here merged together with his ‘wife’ Mahakameshwari or Lalita Tripursundari, ie the Kundalini. Here Kundalini reaches her ‘husband’ Mahakameshwar, merges with him and thus attains Singularity. This means that in the Bindu mandal, the desire to create has not been expressed yet, both energies are one, they are not differentiated. The merged form is the Reality. There is no duality. When the Singular here differentiates into duality, she starts creating the world while he observes. Thus these two energies are known as the parents of the universe.

If you refer to the Bhagwat Gita, this Brahmarandhra is the abode of the subtlest yet tremendous aspect of Krishna. If you practice using the Vidnyan Bhairav Tantra as your reference book this is the abode of Bhairav. The non-dual, the Advaita. The same concept is discussed in Bhagwat Gita and the same is in Devi Mahatmya, and in both the backdrop is a War of terrific proportions. War and spirituality are an odd combination perhaps, but it is War, you fight your mind. In fact every story-allegory in Sanatan Dharm aka Hinduism describes this same thing in different words. The world and everything around you is a mixture of the real and the unreal mixed together. ‘Maya’ means ‘not-that’. Maya cannot be proved to be definitively proved to be real or illusion. Understanding then experiencing and transcending this is real Knowledge of the Self. This is Sadyo-mukti.

 

The Gayatri mantra

This post is partly in response to this comment I received in the Contact form,  (I read an article which mentioned about our age and chakras. Are chakras related to our chronology like one chakra is dominant or something? Also what is meant by opening chakras?)

It is a rather technical post so do read the hyperlinked posts, linked to the words in pink.

I have written about the ‘age and chakra’ part in my earlier post here.